Allegory of September (detail)
Cosmè Tura (1430 – 1495)
Discover Cosmè Tura (1430-1495), founder of the Ferrara School! Explore his expressive lines, decorative detail & innovative oil painting techniques – a key Early Renaissance artist.
Palazzo Schifanoia (Ferrara, Italy)
Discover the breathtaking Hall of the Months at Palazzo Schifanoia in Ferrara, where magnificent Renaissance frescoes blend astrology and myth to create an unforgettable journey into the opulent world of the Este family.
A Ferrarese Visionary: The Life and Art of Cosmè Tura
Cosmè Tura stands as one of the most remarkable figures of the Early Renaissance, a painter whose distinctive style and profound engagement with humanist ideals cemented his place among the luminaries of Ferrara’s artistic milieu. Born around 1430 in the bustling ducal city – his father, Domenico, was a shoemaker – Tura's ascent from modest origins to celebrated artist speaks volumes about the transformative power of talent and circumstance. While biographical details remain somewhat fragmentary, scholarly consensus points to an apprenticeship with Galasso Galassi, a shadowy artisan whose connections to Piero della Francesca hinted at a formative exposure to classical influences. Subsequent journeys, notably between 1452 and 1456 in Venice and Padua, broadened his artistic horizons and introduced him to the vibrant workshop of Francesco Squarcione, where the burgeoning techniques of linear perspective and sculptural realism were actively pursued. This crucible of innovation profoundly shaped Tura’s artistic sensibilities, equipping him with the tools necessary to achieve his unparalleled expressive vision.The Fresco's Narrative: Allegory of September
Tura’s magnum opus resides within Palazzo Schifanoia, Ferrara – specifically in the magnificent “Allegory of September,” a fresco that transcends mere decoration and embodies the intellectual fervor characteristic of its era. Executed circa 1476, this monumental artwork depicts a complex tableau divided into two distinct layers. The upper section presents a dynamic procession of figures—birds, angels, and human forms—engaged in an upward movement, symbolizing aspiration and divine grace. These figures are rendered with meticulous attention to detail, employing soft lines and subtle shading to imbue them with an ethereal quality that captures the spirit of Renaissance idealism. The lower portion portrays a reclining nude male figure draped beneath a white cloth, shrouded in shadow – a deliberate ambiguity designed to provoke contemplation about mortality and rebirth. Adjacent to this central figure stand two additional figures, one holding aloft a blue vase or container, representing fertility and abundance.Technique and Style: Renaissance Precision
Tura’s mastery of fresco technique is undeniable. He skillfully utilized pigments mixed with lime plaster to create durable images that would withstand the passage of time—a testament to his dedication to craftmanship and an embodiment of Renaissance artistic ideals. The fresco's surface texture contributes significantly to its visual impact, enhancing the illusion of depth and dimensionality through careful manipulation of light and shadow. Furthermore, Tura’s stylistic choices reflect the humanist preoccupation with anatomical accuracy and idealized beauty prevalent during this period. His figures possess a graceful posture and refined musculature, mirroring classical sculptures and demonstrating an unwavering commitment to representing human form in its most noble expression.Symbolism: Decoding the Visual Language
The “Allegory of September” is replete with symbolic references that illuminate the broader intellectual currents of Renaissance Ferrara. The procession of birds symbolizes divine providence and spiritual ascension, while the reclining nude figure embodies the cyclical nature of life—death followed by regeneration—a motif deeply rooted in Platonic philosophy. The blue vase represents fertility and prosperity, reflecting the importance of agriculture and familial lineage within Ferrarese society. Each element contributes to a cohesive narrative that speaks to themes of faith, virtue, and human potential.Emotional Resonance: A Window into Renaissance Thought
Ultimately, “Allegory of September” transcends its formal conventions to evoke profound emotional resonance. The painting’s serene palette—dominated by muted blues and earthy tones—creates an atmosphere of contemplative solemnity. Yet, beneath the surface tranquility lies a palpable sense of dynamism and aspiration, mirroring the humanist conviction that humanity possessed the capacity for moral excellence and spiritual enlightenment. Tura's masterpiece continues to captivate viewers today, serving as a poignant reminder of the enduring power of art to illuminate the human condition and inspire contemplation about life’s fundamental questions—a legacy worthy of admiration and scholarly study.About this artwork
- Title: Allegory of September (detail)
- Artist: Cosmè Tura
- Year: 1476
- Format: Portrait
- Copyright status: Public domain
- Where to see it: Palazzo Schifanoia
- Movement: Renaissance Early
- Creative period: Early Renaissance
- Color palette: Earthy
- Keywords: fresco art , celestial figures , symbolism detail
Quick Facts
- Location: Palazzo Schifanoia, Ferrara
- Movement: Early Renaissance
- Year: 1476
- Artist: Cosmè Tura
- Subject or theme: Allegory
- Notable elements or techniques: Linear perspective
- Influences: Francesco Squarcione


