Saga of the Descent of Goddess Ishtar
Oil On Canvas
WallArt
Cubism
1971
Modern
88.0 x 63.0 cm
Ibrahimi Collection
Dia al-Azzawi (1939 –)
Dia al-Azzawi (b. 1939) is a pioneering Iraqi artist renowned for his fusion of Arabic calligraphy, bold colors & exploration of Arab identity, conflict & heritage. Founder of the New Vision group.
Ibrahimi Collection (Amman, Jordan)
Explore Iraqi modern & contemporary art at Amman's Ibrahimi Collection! Discover works by Jewad Selim, Widad Al-Orfali & preserve Iraq’s rich artistic heritage. Learn more about its history and mission.
A Celestial Descent Captured in Fragments
In the mesmerizing masterpiece Saga of the Descent of Goddess Ishtar, the renowned Iraqi artist Dia al-Azzawi orchestrates a profound visual symphony that bridges the ancient echoes of Mesopotamia with the fractured energy of modernism. Created in 1971, this work serves as a vibrant portal into the mythos of the Queen of Heaven. The painting does not merely depict a story; it deconstructs it, utilizing a Cubist-inspired language to explore the multifaceted nature of Ishtar—the goddess of love, war, and beauty. As the viewer’s eye wanders across the canvas, they encounter a world where the boundaries between the divine and the earthly are blurred through overlapping planes and geometric rhythms, inviting a deep, meditative engagement with the legends of Uruk.
The composition is a masterclass in structured dynamism, organized into a grid-like arrangement of vertical panels that act as windows into different stages of a mythic journey. Al-Azzawi employs a sophisticated Cubist approach, breaking down figures and celestial symbols into a mosaic of geometric blocks. This fragmentation serves a higher purpose: it mirrors the complexity of the goddess herself, whose identity encompasses both the tenderness of a bouquet of flowers and the ferocity of a lion. Through the use of flattened, two-dimensional perspectives and a lack of traditional light sources, the artist creates an internal luminosity. The interplay of warm ochres and reds against cool blues and greens generates a rhythmic pulse, guiding the observer through a narrative progression that feels both ancient and avant-garde.
Beyond its formal brilliance, the artwork resonates with a deep emotional and political weight. Al-Azzawi, a pioneer of the New Vision group, often infused his work with themes of identity and conflict, and here, the shattered forms can be seen as a metaphor for the fragmentation of history and the psychological impact of upheaval. The technique—applying oil paint in deliberate, flat planes with minimal blending—emphasizes the structural integrity of the piece, making it a striking focal point for any sophisticated interior. For the collector or designer, this painting offers more than mere decoration; it provides a profound intellectual anchor. It is an evocative piece that commands attention through its rich cultural heritage and its bold, unapologetic embrace of abstraction, making it an incomparable addition to a collection dedicated to the intersection of myth and modern art.
About this artwork
- Title: Saga of the Descent of Goddess Ishtar
- Artist: Dia al-Azzawi
- Year: 1971
- Original dimensions: 88.0 x 63.0 cm
- Format: Portrait
- Copyright status: Under copyright
- Where to see it: Ibrahimi Collection
- Period: Modern
- Medium type: WallArt
- Creative period: Mature Period
Quick Facts
- Dimensions: 88 x 63 cm
- Medium: Oil on canvas
- Influences:
- Mesopotamian heritage
- Modernism
- Subject or theme: Mesopotamian mythology of Ishtar
- Notable elements or techniques: Cubist fragmentation and geometric planes
- Movement: New Vision group
- Title: Saga of the Descent of Goddess Ishtar