Any Person May Kill and Destroy Said Slaves
william h. johnson (1901 – 1970)
William H. Johnson (1901-1970) was a pivotal American painter of the Harlem Renaissance, known for his expressive portraits & folk art style depictions of African American life and experiences. Explore his powerful modernist works!
The Kinsey African American Art - History Collection (Los Angeles, United States of America)
Discover The Kinsey African American Art – History Collection: A vital sanctuary showcasing over 10,000 artifacts & fine art celebrating Black history, resilience, and artistic brilliance in Los Angeles.
A Haunting Echo of History
In the profound and often unsettling depths of American history, few visual narratives command as much visceral attention as "Any Person May Kill and Destroy Said Slaves" by the master of rhythmic expressionism, William H. Johnson. This piece serves not merely as a painting, but as a harrowing window into the structural violence of the late eighteenth century. The work centers on a chillingly authentic document from 1798, its cursive script acting as a ghostly witness to an era defined by systemic cruelty. Through his unique lens, Johnson transforms a historical proclamation into a living, breathing confrontation with the past, forcing the viewer to grapple with the raw reality of a period where human life was subject to the whims of law and unchecked aggression.
The composition is masterfully layered, blending the tactile reality of aged parchment with a dramatic, almost theatrical depiction of violence. As the eye moves across the creased and folded paper—suggesting a document that has been handled, hidden, or perhaps even used as a weapon of psychological warfare—it encounters a scene of profound tension. A figure holds a firearm, pointed directly at a person kneeling in a position of extreme vulnerability. This stark, geometric arrangement of bodies creates a sense of inescapable dread. The presence of other figures lurking in the periphery adds a layer of surveillance and complicity, suggesting that such atrocities were not isolated incidents but part of a wider, watchful social fabric.
The Mastery of Folk Modernism
Johnson’s technique is a brilliant synthesis of modernist abstraction and the soulful simplicity of folk traditions. He eschews unnecessary ornamentation to focus on the emotional weight of his subjects. The use of color and form in this piece is deliberate; the muted, earthy tones of the aged document contrast sharply with the starker, more urgent lines of the figures involved in the confrontation. This stylistic choice strips away the comfort of realism, leaving the viewer with a symbolic language that speaks directly to the heart. His ability to infuse heavy historical themes with a rhythmic, almost musical quality is what makes his work so enduringly powerful.
For the discerning collector or interior designer, this artwork offers more than just aesthetic beauty; it provides a profound intellectual and emotional anchor for a space. It is a piece that demands conversation and reflection. When rendered as a high-quality hand-painted reproduction, the textures of the "paper" and the deliberate brushstrokes of Johnson’s signature style are preserved, allowing the historical gravity of the work to permeate a room. It serves as a poignant reminder of resilience and the enduring struggle for human dignity, making it an incomparable addition to any collection dedicated to the exploration of the American experience and the transformative power of art.
About this artwork
- Title: Any Person May Kill and Destroy Said Slaves
- Artist: william h. johnson
- Year: 1798
- Format: Portrait
- Copyright status: Under copyright
- Where to see it: The Kinsey African American Art - History Collection
- Medium: Painting
- Period: 19th Century
- Corpus context: spiritual iconography , african american culture
- Main color: Putty
Quick Facts
- Artistic style: Modernist abstraction and folk traditions
- Year: 1798
- Notable elements or techniques: Cursive script on folded, creased paper
- Subject or theme: Historical document and violence
- Title: Any Person May Kill and Destroy Said Slaves


