William Hogarth, Receipt for a Print of The March of the Guards to Finchley, 1750 © Coram in the care of the Foundling Museum
Acrylic On Canvas
WallArt
18th Century Engraving
1750
Renaissance
18.0 x 23.0 cm
the-foundling-museum
A Testament to Patronage and Rebellion: Examining Hogarth’s Receipt for ‘The March of the Guards to Finchley’
William Hogarth's "Receipt for a Print of The March of the Guards to Finchley," created in 1750, transcends mere documentation; it embodies the spirit of its time—a period defined by burgeoning artistic ambition alongside simmering social anxieties. This unassuming monochrome reproduction, housed within the Foundling Museum’s collection, offers a fascinating glimpse into Hogarth's creative process and the intricate network of patronage that fueled the Enlightenment era. More than just a record of a transaction, it’s a meticulously crafted visual statement brimming with symbolic resonance.- Historical Context: The painting itself depicts a march of guards to Finchley Common, commemorating the anniversary of the Battle of Drury Lane—a pivotal moment in the Jacobite uprising against George II. Hogarth's decision to organize a lottery for unsold prints wasn’t simply about securing funds; it was a calculated move to engage the public and elevate his artistic reputation within London society.
- Composition & Technique: The receipt’s composition is dominated by a decorative border featuring instruments of warfare – bagpipes representing Scottish Jacobite rebels—a deliberate juxtaposition highlighting the tensions between tradition and reform. Engraving techniques, perfected during Hogarth's apprenticeship, are evident in the fine lines delineating the border and text, showcasing his mastery of printmaking.
- Materials & Craftsmanship: Crafted on paper using ink—a testament to traditional engraving methods—the receipt exemplifies Hogarth's commitment to meticulous detail. The subtle shading within the border contributes to a sense of depth, enhancing the overall visual impact.
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About this artwork
- Title: William Hogarth, Receipt for a Print of The March of the Guards to Finchley, 1750 © Coram in the care of the Foundling Museum
- Artist: William Hogarth
- Year: 1750
- Original dimensions: 18.0 x 23.0 cm
- Format: Landscape
- Copyright status: Public domain
- Where to see it: the-foundling-museum
- Medium: Acrylic On Canvas
- Creative period: Mature
- Main color: Espresso
Quick Facts
- Location: Foundling Museum
- Artistic style: Satirical Illustration
- Year: 1750
- Subject or theme: Military Subscription & Jacobite Symbolism
- Notable elements or techniques: Bagpipes, Scissors, Coat of Arms
- Influences: English Baroque
- Dimensions: 18 x 23 cm