Agnolo Bronzino

1565

Deposition

Agnolo Bronzino's 'Deposition' (1565) captures the poignant scene of Christ’s removal from the cross, rendered with masterful detail and Mannerist elegance. Explore this iconic Renaissance masterpiece.

Agnolo Bronzino

1543

Gathering Of The Manna

Witness the grandeur of 'Gathering of the Manna' by Bronzino! This Renaissance masterpiece depicts a biblical scene with exquisite detail and rich colors, showcasing the artist’s signature elegance.

Agnolo Bronzino

1541

Vault Decoration

Marvel at Agnolo Bronzino's 'Vault Decoration,' a stunning Renaissance fresco from Florence’s Palazzo Vecchio. Witness intricate figures, golden light, and classical beauty in this masterpiece of Mannerism.

Agnolo Bronzino

1440

View Of The Chapel Of Eleonora Da Toledo

Admire Agnolo Bronzino's 'View of the Chapel of Eleonora da Toledo,' a masterpiece showcasing Mannerist elegance & Cosimo I de’ Medici’s lavish court in Florence (1440-45).

Agnolo Bronzino

1553

Saint John The Baptist

A striking Renaissance masterpiece featuring the poised Saint John the Baptist by Agnolo Bronzino, showcasing Mannerist elegance and rich colors that invite you to explore this timeless piece for your collection.

Agnolo Bronzino

1530

The Dead Christ With The Virgin And St. Mary Magdalene

A poignant scene of mourning featuring the Virgin Mary and St. Mary Magdalene by Florentine Mannerist master Agnolo Bronzino, offering a profound glimpse into Renaissance emotion for your private collection.

Agnolo Bronzino

1539

Adoration Of The Shepherds (detail)

Admire Agnolo Bronzino's 'Adoration of the Shepherds,' a masterpiece of Mannerist elegance. This detailed painting showcases serene figures and rich symbolism, reflecting Renaissance artistry.

Agnolo Bronzino

1544

Adoration Of The Cross With The Brazen Serpent

A complex Mannerist fresco by Agnolo Bronzino featuring a detailed gathering of angels and humans around the cross and brazen serpent, inviting you to explore this masterpiece of Florentine Renaissance art.