Francis Bacon

Showing 24 artworks out of 72 with Francis Bacon

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Head Iii, 1961

Head III (1961) by Francis Bacon – A haunting black and white portrait capturing the unsettling distortion of human emotion. Explore the visceral expressionism of this iconic piece.

Francis Bacon

Study For A Portrait Of Van Gogh V, 1957

Study for a Portrait of Van Gogh V, 1957 - Francis Bacon's evocative depiction captures the melancholic beauty of a rainy day stroll with a dog companion. This unsettling portrait explores themes of solitude and vulnerability through visceral brushstrokes.

Francis Bacon

Study For Head Of Geogre Dyer, 1967

Study for Head of George Dyer, 1967 - This unsettling portrait by Francis Bacon captures the artist's signature style—a grotesque depiction of human anatomy rendered with muted colors and a palpable sense of psychological torment.

Francis Bacon

Sphinx Ii, 1952

Explore Francis Bacon's iconic ‘Sphinx II,’ a haunting Expressionist masterpiece capturing existential anguish through fragmented form and bold color palettes. Discover its influence on modern art.

Francis Bacon

Figure In A Landscaspe, 1945 V

The painting depicts a man wearing a hat and gazing downwards amidst scattered flowers, primarily pink roses, symbolizing introspection and contemplation within a vibrant natural setting.

Francis Bacon

Study Of George Dyer, 1970 Left

The painting depicts George Dyer with an open mouth, conveying intense emotion and unsettling distortion – characteristic of Francis Bacon's expressionist style.

Francis Bacon

1945

Figure In A Landscape Tate Gallery

Francis Bacon

Self Portrait 1

The painting depicts a solitary man seated on a bench, his head bowed, with a cigarette dangling from his lips—a poignant portrayal of introspection and melancholy rendered in stark black and white.

Francis Bacon

1936

Figures In A Garden

Francis Bacon

Sand Dune

A haunting display of brutal minimalism, Francis Bacon's Sand Dune captures existential anxiety through a distorted figure and visceral textures, inviting you to explore this profound masterpiece of post-war art.

Francis Bacon

Three Studies For A Portrait Of Peter Board, 1975 Center

Francis Bacon’s haunting ‘Three Studies for a Portrait of Peter Board,’ 1975 captures the unsettling mood of postwar Britain with visceral imagery—a man drenched in blood clutching wine glasses—reflecting Bacon's masterful exploration of human vulnerability and psychological torment. Explore this iconic piece and bring its dramatic beauty into your home.

Francis Bacon

1961

Seated Figure Tate Gallery

This haunting portrait by Francis Bacon captures a man's unsettling gaze and posture, juxtaposed against the stark simplicity of a chair and handbag. Explore the visceral emotion conveyed through Bacon’s masterful use of color and texture.

Francis Bacon

Man Carrying A Child, 1956

A descent into existential horror unfolds through Francis Bacon's 1956 expressionist masterpiece featuring a man carrying a child, inviting you to explore the raw emotional intensity of this iconic oil painting.

Francis Bacon

Study For A Portrait 5

Experience the visceral brutality of Francis Bacon's Study for a Portrait 5, a haunting mid-century masterpiece that captures raw human anxiety through striking minimalism and invites you to explore its profound depth.

Francis Bacon

Three Studies Of Henrietta Moraes Ii, 1969 B

Three Studies of Henrietta Moraes II, 1969 A - This haunting painting by Francis Bacon depicts a woman with closed eyes and scarred skin against a vibrant yellow background, capturing the artist's signature exploration of pain and vulnerability.

Francis Bacon

1961

Reclining Woman,

“Reclining Woman,” by Francis Bacon (1961), explores themes of vulnerability and psychological torment through distorted figures against a stark red backdrop. This iconic piece showcases Bacon’s signature style—a visceral depiction of human form—and is currently exhibited at Tate Britain as part of Modern and Contemporary British Art.

Francis Bacon

1982

3 Studies For A Portrait Of Mick Jagger, Center

Francis Bacon’s unsettling ‘3 Studies for a Portrait of Mick Jagger,’ created in 1982, captures the artist's signature visceral style—a grotesque depiction of Jagger’s face against a stark red backdrop—inviting viewers to explore this iconic piece and its enduring power.

Francis Bacon

Four Studies For A Self-portrait, 1967

Explore Francis Bacon's haunting 'Four Studies for a Self-Portrait,' 1967 – an unsettling depiction of human vulnerability and psychological exploration rendered in oil on canvas.

Francis Bacon

1971

Study Of Red Pope Second Version

Study of Red Pope Second Version - Francis Bacon The painting depicts a man seated in a chair with his hands on his chest, wearing a red robe. Another figure stands beside him. A dark and unsettling atmosphere dominates the dimly lit room.

Francis Bacon

Studies From The Human Body, 1975

Painting by Francis Bacon titled "Studies from the Human Body, 1975". Oil, pastel and dry transfer lettering on canvas. Dimensions: 78 x 58 in. © The Estate of Francis Bacon. All rights reserved, DACS Images.

Francis Bacon

Lying Figure With Hypodermic Syringe, 1963

The painting depicts a naked figure lying on a bed with a syringe in their hand against a pink backdrop, accompanied by two other figures partially obscured by the main subject. Bacon's work explores themes of vulnerability and unease through visceral imagery.

Francis Bacon

August

Explore 10 legendary 'Acrylic On Canvas' masterpieces by artists like Rothko, Warhol & Frankenthaler. Discover the stories behind these iconic paintings and their impact on modern art. Find museum-quality reproductions at – elevate your home with timeless beauty.

Francis Bacon

1982

3 Studies For A Portrait Of Mick Jagger, Left

Explore Francis Bacon's haunting 'Three Studies for a Portrait of Mick Jagger,' a visceral depiction capturing Jagger’s distorted visage against a stark red backdrop – a masterpiece of Expressionism.

Francis Bacon

Headiii

Head II by Francis Bacon – A haunting black and white portrait capturing raw emotion and psychological intensity. Painted in 1948, it’s part of a series exploring the human condition through distorted faces.

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