Showing 11 artworks with Francis Bacon
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Francis Bacon
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- Surrealism
- Francis Bacon
- Expressionism
- Dublin Artist
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Study for Three Heads (right panel), oil on canvas by Francis Bacon (1909-1992). This unsettling depiction of the human face explores themes of trauma and distortion, reflecting Bacon's profound engagement with psychological anxieties.
Three Studies of Muriel Belcher 3 by Francis Bacon – A haunting portrait featuring a man wearing a mask resembling human skin, reflecting Bacon’s exploration of psychological torment and visceral emotion.
The painting depicts a man with a grotesquely distorted face, reflecting Bacon's preoccupation with psychological torment and the fragmentation of identity. Its unsettling imagery captures the artist’s visceral approach to portraying human emotion.
Portrait of Man with Glasses III, 1963 - This striking oil painting by Francis Bacon captures the unsettling gaze of a man obscured by sunglasses. Executed in 1963, it exemplifies Bacon's signature style – visceral emotion conveyed through distorted forms and textures.
Study for Head of George Dyer, 1967 - This unsettling portrait by Francis Bacon captures the artist's signature style—a grotesque depiction of human anatomy rendered with muted colors and a palpable sense of psychological torment.
A haunting display of brutal minimalism, Francis Bacon's Sand Dune captures existential anxiety through a distorted figure and visceral textures, inviting you to explore this profound masterpiece of post-war art.
This haunting portrait by Francis Bacon captures a man's unsettling gaze and posture, juxtaposed against the stark simplicity of a chair and handbag. Explore the visceral emotion conveyed through Bacon’s masterful use of color and texture.
Three Figures in a Room 1 by Francis Bacon – A haunting depiction of three figures seated at a dining table, embodying the artist's signature exploration of psychological torment and visceral emotion within a starkly minimalist setting.
The painting depicts three men seated in a room, one holding a shotgun. The scene conveys a sense of unease and psychological tension characteristic of Bacon's style.
Francis Bacon's 'Two Figures Lying on a Bed' (1968) delves into themes of trauma and vulnerability through grotesque distortions and disturbing visual elements—a cornerstone of Expressionist art.