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Showing 24 artworks out of 32 with Francis Bacon and with Bacon

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Composition, 1933 — Francis Bacon

Francis Bacon

Composition, 1933

Composition, 1933 by Francis Bacon - This iconic painting depicts a woman cradling a giraffe, embodying Bacon’s signature exploration of primal emotion and psychological torment. Inspired by Jessie Lightfoot's influence and reflecting his turbulent upbringing, it showcases Bacon's distinctive style—a haunting blend of realism and abstraction.

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Study For Three Heads, Right Panel, — Francis Bacon

Francis Bacon

1962
Study For Three Heads, Right Panel,

Study for Three Heads (right panel), oil on canvas by Francis Bacon (1909-1992). This unsettling depiction of the human face explores themes of trauma and distortion, reflecting Bacon's profound engagement with psychological anxieties.

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Three Studies For A Portrait Centr — Francis Bacon

Francis Bacon

Three Studies For A Portrait Centr

The image depicts a man's face against a stark red backdrop, characterized by distorted features and exaggerated expressions—a disconcerting portrayal reflecting Bacon’s exploration of psychological torment.

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Study For A Portrait Of Van Gogh I, — Francis Bacon

Francis Bacon

1957
Study For A Portrait Of Van Gogh I,

This evocative portrait by Francis Bacon captures a moment of quiet contemplation amidst a windswept landscape. The artist’s masterful depiction conveys profound emotion and psychological depth, reflecting his signature style.

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Three Studies Of Isabel Rawsthorne Right — Francis Bacon

Francis Bacon

1966
Three Studies Of Isabel Rawsthorne Right

Francis Bacon’s haunting 'Three Studies of Isabel Rawsthorne right' captures the unsettling gaze and visceral emotion characteristic of his Expressionist style—a portrait steeped in 1966 British art history, inviting you to explore this iconic masterpiece.

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Study For A Portrait, Man Screaming, 1952 — Francis Bacon

Francis Bacon

Study For A Portrait, Man Screaming, 1952

Study for Portrait, Man Screaming (1952) - Francis Bacon A haunting depiction of human anguish captured in expressive brushstrokes. This study explores themes of vulnerability and psychological torment, reflecting Bacon’s signature style. Meta Description: Experience the visceral intensity of Francis Bacon's 'Study for Portrait.' Explore raw emotion & unsettling imagery—a masterpiece of 20th-cen

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Study For Portrait Of Isabel Rawsthorne, 1964 — Francis Bacon

Francis Bacon

Study For Portrait Of Isabel Rawsthorne, 1964

The painting depicts a man seated on a chair with his hands tied behind him, conveying distress and discomfort amidst an intense atmosphere. Two figures appear in the background, adding to the dramatic effect.

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Three Studies For Self-portrait, 1974 Left — Francis Bacon

Francis Bacon

Three Studies For Self-portrait, 1974 Left

Three Studies for Self-Portrait, Left (1974) - A haunting black and white photograph capturing Francis Bacon's introspective gaze as he contemplates his own visage.

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Study For Self-portrait — Francis Bacon

Francis Bacon

Study For Self-portrait

Explore Francis Bacon’s unsettling Study for Self-Portrait—a visceral expressionist masterpiece capturing a hauntingly distorted visage against a verdant backdrop. This iconic piece embodies the artist's signature style and invites you to immerse yourself in the raw emotion of postwar Britain.

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Three Studies For Self-portrait, 1972 Right — Francis Bacon

Francis Bacon

Three Studies For Self-portrait, 1972 Right

The painting depicts a man with closed eyes and a distorted face, wearing a tie. It’s an unsettling expressionist piece by Francis Bacon titled "Three Studies for Self-Portrait, 1972 Right." The composition evokes tension and unease.

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Study For A Self-portrait, 1964 — Francis Bacon

Francis Bacon

Study For A Self-portrait, 1964

Francis Bacon’s unsettling study for a self-portrait captures a moment of profound isolation and psychological torment—a stark depiction in monochrome reflecting the artist's signature Expressionist style during the postwar era. Explore this iconic piece and bring its haunting beauty into your home.

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Portrait Of A Cardinal I — Francis Bacon

Francis Bacon

Portrait Of A Cardinal I

“Figure Seated (the Cardinal)” was created in 1955 by Francis Bacon in Expressionism style. Find more prominent pieces of portrait at WikiArt.org – best visual art database. Francis Bacon, a name synonymous with the rawest emotionality in 20th-century art, was born in Dublin, Ireland, in 1909, yet his artistic spirit found its truest expression within the turbulent landscape of post-war Britain. H

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Man With Dog — Francis Bacon

Francis Bacon

1953
Man With Dog

The painting depicts a man and a dog intertwined on a metal grate, embodying Bacon's exploration of vulnerability and confinement amidst a dark backdrop.

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Three Studies Of Figures On Beds, 1972 Left — Francis Bacon

Francis Bacon

Three Studies Of Figures On Beds, 1972 Left

The painting depicts a naked man lying on a bed with his head turned to the side, accompanied by two other figures—one near the top left corner and another on the right side of the bed—creating a composition rich in psychological depth.

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Study For A Portrait Of Van Gogh V, 1957 — Francis Bacon

Francis Bacon

Study For A Portrait Of Van Gogh V, 1957

Study for a Portrait of Van Gogh V, 1957 - Francis Bacon's evocative depiction captures the melancholic beauty of a rainy day stroll with a dog companion. This unsettling portrait explores themes of solitude and vulnerability through visceral brushstrokes.

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Figure In A Landscaspe, 1945 V — Francis Bacon

Francis Bacon

Figure In A Landscaspe, 1945 V

The painting depicts a man wearing a hat and gazing downwards amidst scattered flowers, primarily pink roses, symbolizing introspection and contemplation within a vibrant natural setting.

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Three Studies For Henrietta Moraes, 1963 A — Francis Bacon

Francis Bacon

Three Studies For Henrietta Moraes, 1963 A

The painting depicts a woman's face with an oversized nose and closed eyes, bathed in dark hues to create dramatic contrast. Bacon’s expressive style conveys intense emotion through visceral imagery.

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Figure In Movement, 1985 — Francis Bacon

Francis Bacon

Figure In Movement, 1985

Figure in Movement, 1985 - This painting by Francis Bacon captures the essence of human vulnerability and isolation through its depiction of a man seated on the floor with his head down, surrounded by figures in a dining room setting.

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Study For Self-portrait, 1973 A — Francis Bacon

Francis Bacon

Study For Self-portrait, 1973 A

Study for Self-Portrait, 1973 A - Francis Bacon A haunting portrait by Bacon depicting a man wearing a mask, capturing the artist's signature exploration of psychological torment and vulnerability. The stark red wall backdrop emphasizes the figure’s isolation and adds to the painting’s unsettling atmosphere. Meta Description: Intense gaze & masked visage embody Bacon's visceral style – a study f

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Two Studies For Self-portrait — Francis Bacon

Francis Bacon

Two Studies For Self-portrait

Francis Bacon’s “Two Studies for Self-Portrait” embodies Expressionist intensity, depicting scarred faces reflecting trauma amidst the bleak hues of post-war Britain. Explore this unsettling masterpiece and bring home a stunning reproduction from ArtsDot.

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Three Figures In A Room, Left — Francis Bacon

Francis Bacon

1964
Three Figures In A Room, Left

The painting depicts three figures in a room, with one seated on a chair and another standing nearby. The scene is marked by dramatic composition and conveys a sense of unease.

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Lying Figure With Hypodermic Syringe, 1963 — Francis Bacon

Francis Bacon

Lying Figure With Hypodermic Syringe, 1963

The painting depicts a naked figure lying on a bed with a syringe in their hand against a pink backdrop, accompanied by two other figures partially obscured by the main subject. Bacon's work explores themes of vulnerability and unease through visceral imagery.

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Three Figures In A Room 1 — Francis Bacon

Francis Bacon

Three Figures In A Room 1

Three Figures in a Room 1 by Francis Bacon – A haunting depiction of three figures seated at a dining table, embodying the artist's signature exploration of psychological torment and visceral emotion within a starkly minimalist setting.

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Reclining Figure, 1959 — Francis Bacon

Francis Bacon

Reclining Figure, 1959

This haunting depiction by Francis Bacon captures profound anguish and vulnerability through a reclining nude figure against a stark green backdrop. Exploring themes of pain and displacement, it exemplifies Bacon's distinctive style—a visceral reaction to the human condition.

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