Francis Bacon, Dark Palette

Showing 24 artworks out of 39 with Francis Bacon and with Dark Palette

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Francis Bacon

Three Studies For Henrietta Moraes 1

Francis Bacon’s haunting black and white portrait captures Henrietta Moraes's shocked gaze and intense emotion—a visceral exploration of the human condition emblematic of Expressionism and reflecting his profound engagement with psychological depth.

Francis Bacon

Study For A Portrait Of Van Gogh Ii, 1957

Study for a Portrait of Van Gogh II, 1957 - Francis Bacon's haunting depiction captures the tormented spirit of Vincent van Gogh through a striking juxtaposition of figures and a vibrant red field. Explore the visceral emotion and symbolic depth of this iconic artwork.

Francis Bacon

Study For Portrait Viii, 1953

Explore Francis Bacon's unsettling Study for Portrait VIII (1953), capturing psychological torment through distorted figures and dark hues—a cornerstone of Expressionism reflecting the anxieties of postwar Europe.

Francis Bacon

Two Figures In The Grass 1

Two Figures in the Grass 1 by Francis Bacon – This evocative painting depicts two dogs resting on grass, accompanied by two people, capturing Bacon’s signature style of visceral emotion and unsettling imagery.

Francis Bacon

Two Studies For Self-portrait, 1977 (b)

Two Studies for Self-Portrait, 1977 (b) by Francis Bacon – A haunting depiction of the artist’s gaze, rendered in stark black and white with subtle textural variations. Explore Bacon's masterful use of form and emotion to convey profound psychological insight.

Francis Bacon

Study For Portrait Of Isabel Rawsthorne, 1964

The painting depicts a man seated on a chair with his hands tied behind him, conveying distress and discomfort amidst an intense atmosphere. Two figures appear in the background, adding to the dramatic effect.

Francis Bacon

Study For A Pope Iv

Study for a Pope IV - Francis Bacon A haunting depiction of mortality and psychological torment, this study captures the essence of Bacon's signature style – grotesque figures juxtaposed against stark backgrounds. The painting portrays a man with a skeleton face seated in a chair, embodying themes of decay and existential dread. Its unsettling imagery reflects Bacon’s preoccupation with human vul

Francis Bacon

Two Studies For A Portrait Of Richard Chopping, Left

This striking black and white painting showcases Bacon’s exploration of psychological depth through expressive brushstrokes. Inspired by his connection with Ian Fleming and fellow artist Denis Wirth-Miller, the artwork delves into themes of vulnerability and intensity. Its meticulous detail reveals Bacon's signature style—a profound meditation on the human condition.

Francis Bacon

1977

Two Studies For Self-portrait, Left

Two Studies for Self-Portrait, left - This haunting black and white painting by Francis Bacon depicts a man with a severely scarred face, capturing the artist's signature exploration of pain and psychological torment. A visceral portrayal of vulnerability and distortion.

Francis Bacon

Head Iv, 1961

Head IV, 1961 - Francis Bacon: This Expressionist portrait by Francis Bacon depicts a distorted human head bathed in an unsettling green hue, reflecting the artist's signature style and exploring themes of psychological torment and visceral emotion.

Francis Bacon

Self Portrait 1

The painting depicts a solitary man seated on a bench, his head bowed, with a cigarette dangling from his lips—a poignant portrayal of introspection and melancholy rendered in stark black and white.

Francis Bacon

Elephant Fording A River, 1952

Francis Bacon

1936

Figures In A Garden

Francis Bacon

Three Studies For A Portrait Of Peter Board, 1975 Center

Francis Bacon’s haunting ‘Three Studies for a Portrait of Peter Board,’ 1975 captures the unsettling mood of postwar Britain with visceral imagery—a man drenched in blood clutching wine glasses—reflecting Bacon's masterful exploration of human vulnerability and psychological torment. Explore this iconic piece and bring its dramatic beauty into your home.

Francis Bacon

1961

Seated Figure Tate Gallery

This haunting portrait by Francis Bacon captures a man's unsettling gaze and posture, juxtaposed against the stark simplicity of a chair and handbag. Explore the visceral emotion conveyed through Bacon’s masterful use of color and texture.

Francis Bacon

Study For Head Of George Dyer, 1967

“Study for Head of George Dyer” was created in 1967 by Francis Bacon in Expressionism style. Find more prominent pieces of sketch and study at WikiArt.org – best visual art database.

Francis Bacon

Figure In A Landscaspe, 1945

Francis Bacon

Four Studies For A Self-portrait, 1967

Explore Francis Bacon's haunting 'Four Studies for a Self-Portrait,' 1967 – an unsettling depiction of human vulnerability and psychological exploration rendered in oil on canvas.

Francis Bacon

Study For A Portrait Of John Edwards

Study for Portrait of John Edwards by Francis Bacon - Expressionistic painting depicting a naked man with slumped posture and distressed facial expression, set against a doorway into another room.

Francis Bacon

Study For A Portrait Of Van Gogh Iv

Francis Bacon’s 'Study for a Portrait of Van Gogh IV' is an intense Expressionistic oil painting capturing rural solitude & hardship through bold brushstrokes and unsettling color. A powerful, textured work by a renowned Irish artist.

Francis Bacon

1957

Study For Portrait Of Van Gogh V

Francis Bacon

Studies From The Human Body, 1975

Painting by Francis Bacon titled "Studies from the Human Body, 1975". Oil, pastel and dry transfer lettering on canvas. Dimensions: 78 x 58 in. © The Estate of Francis Bacon. All rights reserved, DACS Images.

Francis Bacon

Lying Figure, 1969

The painting depicts a reclining figure with a turned head, adorned with a hat and possessing avian features – a characteristic motif of Bacon’s oeuvre. Alongside the central figure are two chairs and a clock, contributing to an unsettling atmosphere that reflects the artist's preoccupation with psychological torment and existential anxieties.

Francis Bacon

Three Studies Of Henrietta Moraes Ii, 1969 A

Three Studies of Henrietta Moraes II, 1969 A - This haunting painting by Francis Bacon depicts a woman with closed eyes and scarred skin against a vibrant yellow background, capturing the artist's signature exploration of pain and vulnerability.

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