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Showing 24 artworks out of 59 with Francis Bacon and with Distortion

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Head Iii, 1961 — Francis Bacon

Francis Bacon

Head Iii, 1961

Head III (1961) by Francis Bacon – A haunting black and white portrait capturing the unsettling distortion of human emotion. Explore the visceral expressionism of this iconic piece.

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Three Studies For A Portrait, 1968 C — Francis Bacon

Francis Bacon

Three Studies For A Portrait, 1968 C

Francis Bacon's 'Three Studies for a Portrait (1968)' captures raw emotion and existential angst through distorted figures, reflecting the turbulent post-war era. Explore this iconic Expressionist masterpiece.

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Study For Head Of Geogre Dyer, 1967 — Francis Bacon

Francis Bacon

Study For Head Of Geogre Dyer, 1967

Study for Head of George Dyer, 1967 - This unsettling portrait by Francis Bacon captures the artist's signature style—a grotesque depiction of human anatomy rendered with muted colors and a palpable sense of psychological torment.

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Study For Portrait On Folding Bed — Francis Bacon

Francis Bacon

Study For Portrait On Folding Bed

Explore Francis Bacon’s haunting ‘Study for Portrait on Folding Bed’, a masterpiece of Expressionism capturing existential angst and psychological tension through bold colors and fragmented forms.

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Study Of George Dyer, 1970 Left — Francis Bacon

Francis Bacon

Study Of George Dyer, 1970 Left

The painting depicts George Dyer with an open mouth, conveying intense emotion and unsettling distortion – characteristic of Francis Bacon's expressionist style.

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Study For Portrait Of J.h. — Francis Bacon

Francis Bacon

Study For Portrait Of J.h.

Francis Bacon's 'Study for Portrait of J.H.' is a haunting black-and-white depiction of a baby’s head, reflecting the artist’s visceral exploration of human emotion and mortality. A powerful study in distortion and psychological depth.

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Crucifixion, 1965 Center — Francis Bacon

Francis Bacon

Crucifixion, 1965 Center

Francis Bacon's 'Crucifixion' (1965) is a visceral and haunting triptych exploring existential anguish through distorted figures and intense color. Witness the raw emotion of this iconic masterpiece.

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Henrietta Moraes — Francis Bacon

Francis Bacon

Henrietta Moraes

Francis Bacon's haunting 'Henrietta Moraes' captures raw emotion & vulnerability through distorted form and visceral red hues. Explore the artist’s exploration of the human condition.

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Three Studies Of Henrietta Moraes Ii, 1969 B — Francis Bacon

Francis Bacon

Three Studies Of Henrietta Moraes Ii, 1969 B

Three Studies of Henrietta Moraes II, 1969 A - This haunting painting by Francis Bacon depicts a woman with closed eyes and scarred skin against a vibrant yellow background, capturing the artist's signature exploration of pain and vulnerability.

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Three Figures In A Room, 1964 Center — Francis Bacon

Francis Bacon

Three Figures In A Room, 1964 Center

The painting depicts a naked man seated on an oddly shaped blue chair, his hands clasped together, conveying vulnerability and introspection. Bacon's expressionistic style captures the raw emotion of the figure against the unsettling backdrop.

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Reclining Woman, — Francis Bacon

Francis Bacon

1961
Reclining Woman,

“Reclining Woman,” by Francis Bacon (1961), explores themes of vulnerability and psychological torment through distorted figures against a stark red backdrop. This iconic piece showcases Bacon’s signature style—a visceral depiction of human form—and is currently exhibited at Tate Britain as part of Modern and Contemporary British Art.

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Study For Head Of George Dyer, 1967 — Francis Bacon

Francis Bacon

Study For Head Of George Dyer, 1967

“Study for Head of George Dyer” was created in 1967 by Francis Bacon in Expressionism style. Find more prominent pieces of sketch and study at WikiArt.org – best visual art database.

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Study For A Portrait 1 — Francis Bacon

Francis Bacon

Study For A Portrait 1
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Retrato De George Dyer En Un Espejo — Francis Bacon

Francis Bacon

Retrato De George Dyer En Un Espejo

Francis Bacon’s "Portrait of George Dyer Talking" (1966) captures raw emotion and unsettling surrealism through thick impasto, exploring the artist's fascination with fractured figures and psychological depth. Discover this iconic piece's visceral style.

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Portrait Of George Dyer Staring Into A Mirror, — Francis Bacon

Francis Bacon

1967
Portrait Of George Dyer Staring Into A Mirror,

Francis Bacon's 'Portrait of George Dyer Staring into a Mirror' captures raw emotion & existential themes through distorted figures. Explore the intense friendship and artistic legacy within this iconic painting.

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Head Surrounded By Sides Of Beef — Francis Bacon

Francis Bacon

Head Surrounded By Sides Of Beef

Experience Francis Bacon's 'Head-VI,' a haunting 1949 painting exploring existential angst & trauma through distorted figures, surreal elements, and a screaming face inspired by silent film.

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Three Studies For Portr. Of G.dyer On Light Ground Lef — Francis Bacon

Francis Bacon

Three Studies For Portr. Of G.dyer On Light Ground Lef

The painting showcases a man with a grotesquely distorted face, reflecting Bacon's signature style and exploring themes of psychological torment and vulnerability. Its unsettling imagery captures the artist’s profound engagement with human emotion.

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Carcase Of Meat And Bird Of Prey, 1980 — Francis Bacon

Francis Bacon

Carcase Of Meat And Bird Of Prey, 1980

Unravel the visceral intensity of Francis Bacon’s ‘Carcass of Meat and Bird of Prey’ (1980). Explore its haunting symbolism, brutal technique & post-war anxieties in this iconic masterpiece.

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Figures In A Garden, 1936 — Francis Bacon

Francis Bacon

Figures In A Garden, 1936

Francis Bacon's 'Figures in a Garden' (1936) captures unsettling human forms within a claustrophobic landscape, reflecting his exploration of isolation and psychological distress through Expressionist techniques.

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Man Turning On The Light, 1973-74 — Francis Bacon

Francis Bacon

Man Turning On The Light, 1973-74

Man Turning On The Light (1973-74) - Francis Bacon A haunting depiction of vulnerability and transformation, this painting captures the essence of Bacon's signature style – distorted figures rendered in unsettling detail against a stark backdrop. Explore the psychological depth of this iconic artwork.

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Gouache, 1929 — Francis Bacon

Francis Bacon

Gouache, 1929

Francis Bacon (1909-1992) was a British painter known for his emotionally charged figurative works characterized by distorted forms and existential themes. Despite lacking formal training, he developed a distinctive style influenced by diverse sources, cementing his place as a pivotal figure in modern art.

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Three Studies For Self-portrait — Francis Bacon

Francis Bacon

Three Studies For Self-portrait

Delve into Francis Bacon's unsettling exploration of the human psyche with 'Three Studies for Self-Portrait,' a triptych masterpiece characterized by distorted faces and evocative ties. Explore ArtsDot’s exquisite reproductions.

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Triptych Inspired By The Oresteia Of Aeschylus, 1981 (center Panel) — Francis Bacon

Francis Bacon

Triptych Inspired By The Oresteia Of Aeschylus, 1981 (center Panel)

Triptych inspired by the Oresteia of Aeschylus (center panel), 1981 - This unsettling portrait captures Bacon's signature style—a naked figure slumped in a chair, rendered with grotesque distortions and muted colors—reflecting themes of trauma and psychological disintegration.

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Three Studies For A Portrait, 1968 B — Francis Bacon

Francis Bacon

Three Studies For A Portrait, 1968 B

Three Studies for Portrait No. 1968 B by Francis Bacon – An expressive oil painting depicting a man with an open mouth and distorted facial features, primarily utilizing pink hues to convey emotion and capturing the unsettling beauty of existential angst.

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