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Showing 24 artworks out of 49 with Francis Bacon and with Portraiture

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Untitled 1 — Francis Bacon

Francis Bacon

Untitled 1

"Untitled 1" by Francis Bacon exemplifies Expressionism's raw emotion and distortion. Featuring screaming figures against vibrant orange backgrounds, it reflects Picasso & Van Gogh’s influence—a cornerstone of modern art."

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Three Studies For Self-portrait — Francis Bacon

Francis Bacon

1979
Three Studies For Self-portrait
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Female Nude Standing In A Doorway 1972 — Francis Bacon

Francis Bacon

Female Nude Standing In A Doorway 1972

The painting was created in 1972 and features a woman nude standing in a doorway, surrounded by two figures. It embodies Bacon’s signature style of Expressionism, characterized by visceral imagery and exploration of psychological themes.

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Three Studies Of Muriel Belcher 3 — Francis Bacon

Francis Bacon

Three Studies Of Muriel Belcher 3

Three Studies of Muriel Belcher 3 by Francis Bacon – A haunting portrait featuring a man wearing a mask resembling human skin, reflecting Bacon’s exploration of psychological torment and visceral emotion.

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Triptych, August, 1972 A — Francis Bacon

Francis Bacon

Triptych, August, 1972 A

Triptych, August 1972 A - This unsettling painting depicts a man slumped on a chair with his head bowed, capturing Bacon's signature exploration of psychological torment and visceral emotion. Influenced by Surrealism and Expressionism, it showcases a haunting gaze and a desolate interior.

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Crucifixion, 1965 Left — Francis Bacon

Francis Bacon

Crucifixion, 1965 Left

A haunting portrait by Francis Bacon captures the profound sorrow and isolation of human experience. Featuring a man slumped on the floor with his head bowed, the painting embodies Bacon's signature style—bold colors and distorted figures—creating an emotionally charged masterpiece.

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Figura Tumbada — Francis Bacon

Francis Bacon

Figura Tumbada

Figura tumbada by Francis Bacon – A haunting depiction of human vulnerability and decay, characterized by distorted figures and unsettling color palettes reminiscent of Bacon’s signature style.

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Hombre Con Perro — Francis Bacon

Francis Bacon

Hombre Con Perro

Experience the raw emotion of Francis Bacon's 'Homme con perro.' This unsettling black & white painting captures isolation and anxiety through distorted figures, primal instincts, and a claustrophobic atmosphere.

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Man At Curtain — Francis Bacon

Francis Bacon

Man At Curtain

Man at Curtain by Francis Bacon – A haunting depiction of human vulnerability and isolation, characterized by distorted figures and stark contrasts against dark backgrounds.

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Study For A Portrait 3 — Francis Bacon

Francis Bacon

Study For A Portrait 3

The painting "Study for a Portrait 3" by Francis Bacon is an expressionist depiction of a head with an open mouth, conveying intense emotion through close-up facial features and unsettling imagery.

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Study After Velazquez I, Tony Shafrazi Gallery, — Francis Bacon

Francis Bacon

1950
Study After Velazquez I, Tony Shafrazi Gallery,

Study after Velazquez I, Tony Shafrazi Gallery, Francis Bacon - This striking black and white painting depicts a man seated in a chair with his head covered by cloth, capturing the artist's signature visceral emotion and exploring themes of introspection and displacement. Inspired by Velázquez’s masterpiece, it embodies Bacon’s distinctive style.

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Pope I, 1951 — Francis Bacon

Francis Bacon

Pope I, 1951

Explore Francis Bacon's haunting 'Pope I,' inspired by Velázquez’s portrait of Pope Innocent X. This unsettling study captures existential anguish and psychological tension through distorted form and symbolic imagery.

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Three Studies For Self-portrait, 1972 Left — Francis Bacon

Francis Bacon

Three Studies For Self-portrait, 1972 Left

This haunting portrait by Francis Bacon captures the unsettling distortion of human form and emotion. Executed in 1972, 'Three Studies for Self-Portrait' embodies Bacon’s signature expressive style—a visceral exploration of psychological torment.

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Three Studies For Self-portrait, 1972 Right — Francis Bacon

Francis Bacon

Three Studies For Self-portrait, 1972 Right

The painting depicts a man with closed eyes and a distorted face, wearing a tie. It’s an unsettling expressionist piece by Francis Bacon titled "Three Studies for Self-Portrait, 1972 Right." The composition evokes tension and unease.

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Self-portrait, 1969 — Francis Bacon

Francis Bacon

Self-portrait, 1969

Experience the unsettling intensity of Francis Bacon's 'Self-Portrait (1969)'. A visceral exploration of alienation and anxiety through distorted forms, muted tones, & bold brushstrokes – a masterpiece of Expressionism.

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Two Studies For Self-portrait, Left — Francis Bacon

Francis Bacon

1977
Two Studies For Self-portrait, Left

Two Studies for Self-Portrait, left - This haunting black and white painting by Francis Bacon depicts a man with a severely scarred face, capturing the artist's signature exploration of pain and psychological torment. A visceral portrayal of vulnerability and distortion.

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Man In Blue Vii — Francis Bacon

Francis Bacon

Man In Blue Vii
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Head Iii, 1961 — Francis Bacon

Francis Bacon

Head Iii, 1961

Head III (1961) by Francis Bacon – A haunting black and white portrait capturing the unsettling distortion of human emotion. Explore the visceral expressionism of this iconic piece.

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Triptych, 1971 Center — Francis Bacon

Francis Bacon

Triptych, 1971 Center

Triptych, 1971 Center - This painting depicts a solitary man on stairs before a window, holding a rope and accompanied by two figures, capturing Bacon's signature blend of psychological intensity and visceral emotion.

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Man In Blue Iii — Francis Bacon

Francis Bacon

Man In Blue Iii
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Study Of George Dyer, 1970 Left — Francis Bacon

Francis Bacon

Study Of George Dyer, 1970 Left

The painting depicts George Dyer with an open mouth, conveying intense emotion and unsettling distortion – characteristic of Francis Bacon's expressionist style.

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Self Portrait 1 — Francis Bacon

Francis Bacon

Self Portrait 1

The painting depicts a solitary man seated on a bench, his head bowed, with a cigarette dangling from his lips—a poignant portrayal of introspection and melancholy rendered in stark black and white.

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Seated Figure Tate Gallery — Francis Bacon

Francis Bacon

1961
Seated Figure Tate Gallery

This haunting portrait by Francis Bacon captures a man's unsettling gaze and posture, juxtaposed against the stark simplicity of a chair and handbag. Explore the visceral emotion conveyed through Bacon’s masterful use of color and texture.

$19.00
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Chimpanzee — Francis Bacon

Francis Bacon

Chimpanzee
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