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Showing 24 artworks out of 121 with Francis Bacon and with Surrealism

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Untitled 1 — Francis Bacon

Francis Bacon

Untitled 1

"Untitled 1" by Francis Bacon exemplifies Expressionism's raw emotion and distortion. Featuring screaming figures against vibrant orange backgrounds, it reflects Picasso & Van Gogh’s influence—a cornerstone of modern art."

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Figure In A Landscaspe — Francis Bacon

Francis Bacon

Figure In A Landscaspe

Experience the raw emotion of Francis Bacon's 'Figure in a Landscape.' This unsettling masterpiece captures existential anguish through distorted forms and symbolic elements – a visceral exploration of the human condition.

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Painting — Francis Bacon

Francis Bacon

1950
Painting
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Study For A Pope Vi — Francis Bacon

Francis Bacon

Study For A Pope Vi
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Tres Bocetos Para La Crucifixión — Francis Bacon

Francis Bacon

Tres Bocetos Para La Crucifixión

Tres bocetos para la crucifixión - Francis Bacon The painting depicts two figures locked in an unsettling interaction against a bold red backdrop, reflecting Bacon’s signature expressive style and exploring themes of vulnerability and confrontation. A haunting portrayal by the Irish-born artist, capturing the essence of existential angst.

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Composition, 1933 — Francis Bacon

Francis Bacon

Composition, 1933

Composition, 1933 by Francis Bacon - This iconic painting depicts a woman cradling a giraffe, embodying Bacon’s signature exploration of primal emotion and psychological torment. Inspired by Jessie Lightfoot's influence and reflecting his turbulent upbringing, it showcases Bacon's distinctive style—a haunting blend of realism and abstraction.

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Female Nude Standing In A Doorway 1972 — Francis Bacon

Francis Bacon

Female Nude Standing In A Doorway 1972

The painting was created in 1972 and features a woman nude standing in a doorway, surrounded by two figures. It embodies Bacon’s signature style of Expressionism, characterized by visceral imagery and exploration of psychological themes.

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Three Studies Of Muriel Belcher 3 — Francis Bacon

Francis Bacon

Three Studies Of Muriel Belcher 3

Three Studies of Muriel Belcher 3 by Francis Bacon – A haunting portrait featuring a man wearing a mask resembling human skin, reflecting Bacon’s exploration of psychological torment and visceral emotion.

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Portrait Of Isabel Rawsthorn Standing In A Street In Soho, 1967 — Francis Bacon

Francis Bacon

Portrait Of Isabel Rawsthorn Standing In A Street In Soho, 1967

Experience Francis Bacon's 'Portrait of Isabel Rawsthorne' – a visceral exploration of existential angst set amidst Soho’s chaos. This iconic 1967 oil painting captures raw emotion through fractured forms and unsettling color, embodying Bacon’s signature Expressionist style.

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Three Studies Of Muriel Belcher — Francis Bacon

Francis Bacon

Three Studies Of Muriel Belcher

Francis Bacon's 'Three Studies of Muriel Belcher' (1966) captures the enigmatic owner of The Colony Room Club with raw emotion and distorted forms, a key work in Neo-Figuration.

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Three Studies For Self-portrait,1980, Center Panel — Francis Bacon

Francis Bacon

Three Studies For Self-portrait,1980, Center Panel

Three Studies for Self-Portrait, 1980, Center Panel - This iconic piece by Francis Bacon showcases an unsettlingly realistic depiction of a man's face—a haunting exploration of identity and emotion characterized by exaggerated features and a striking blue background.

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Three Studies For Portr. Of G.dyer On Pink Ground, Lef — Francis Bacon

Francis Bacon

Three Studies For Portr. Of G.dyer On Pink Ground, Lef

The painting depicts a man with a grotesquely distorted face, reflecting Bacon's preoccupation with psychological torment and the fragmentation of identity. Its unsettling imagery captures the artist’s visceral approach to portraying human emotion.

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Triptych, August, 1972 A — Francis Bacon

Francis Bacon

Triptych, August, 1972 A

Triptych, August 1972 A - This unsettling painting depicts a man slumped on a chair with his head bowed, capturing Bacon's signature exploration of psychological torment and visceral emotion. Influenced by Surrealism and Expressionism, it showcases a haunting gaze and a desolate interior.

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Crucifixion, 1965 Left — Francis Bacon

Francis Bacon

Crucifixion, 1965 Left

A haunting portrait by Francis Bacon captures the profound sorrow and isolation of human experience. Featuring a man slumped on the floor with his head bowed, the painting embodies Bacon's signature style—bold colors and distorted figures—creating an emotionally charged masterpiece.

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Figura Tumbada — Francis Bacon

Francis Bacon

Figura Tumbada

Figura tumbada by Francis Bacon – A haunting depiction of human vulnerability and decay, characterized by distorted figures and unsettling color palettes reminiscent of Bacon’s signature style.

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Three Studies For A Portrait Centr — Francis Bacon

Francis Bacon

Three Studies For A Portrait Centr

The image depicts a man's face against a stark red backdrop, characterized by distorted features and exaggerated expressions—a disconcerting portrayal reflecting Bacon’s exploration of psychological torment.

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Three Studies For A Portrait Left — Francis Bacon

Francis Bacon

Three Studies For A Portrait Left

Three Studies for a Portrait Left by Francis Bacon – An evocative oil painting depicting a man with his hand over his face, framed by glasses and a beard against a textured red cloth background. This unsettling portrait captures the artist's signature style of visceral expressionism.

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Hombre Con Perro — Francis Bacon

Francis Bacon

Hombre Con Perro

Experience the raw emotion of Francis Bacon's 'Homme con perro.' This unsettling black & white painting captures isolation and anxiety through distorted figures, primal instincts, and a claustrophobic atmosphere.

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Study For Portrait Of Isabel Rawsthorne — Francis Bacon

Francis Bacon

Study For Portrait Of Isabel Rawsthorne

A haunting depiction of Isabel Rawsthorne by Francis Bacon, featuring bandages and a masked face amidst geometric structures—a visceral exploration of the human form.

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Figure Study Ii, 1945-46 — Francis Bacon

Francis Bacon

Figure Study Ii, 1945-46

Delve into Francis Bacon's haunting 'Figure Study II,' capturing raw emotion and psychological depth through bold colors & unsettling composition—a cornerstone of post-war expressionism.

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Study For A Portrait Of Van Gogh I, — Francis Bacon

Francis Bacon

1957
Study For A Portrait Of Van Gogh I,

This evocative portrait by Francis Bacon captures a moment of quiet contemplation amidst a windswept landscape. The artist’s masterful depiction conveys profound emotion and psychological depth, reflecting his signature style.

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Sphinx Iii — Francis Bacon

Francis Bacon

1954
Sphinx Iii

Francis Bacon's 'Sphinx III' (1954) is a haunting masterpiece—a blue-toned exploration of isolation and myth through distorted figures & unsettling light. Discover its symbolism & artistic techniques.

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Study For A Portrait Of Van Gogh Ii, 1957 — Francis Bacon

Francis Bacon

Study For A Portrait Of Van Gogh Ii, 1957

Study for a Portrait of Van Gogh II, 1957 - Francis Bacon's haunting depiction captures the tormented spirit of Vincent van Gogh through a striking juxtaposition of figures and a vibrant red field. Explore the visceral emotion and symbolic depth of this iconic artwork.

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Man At Curtain — Francis Bacon

Francis Bacon

Man At Curtain

Man at Curtain by Francis Bacon – A haunting depiction of human vulnerability and isolation, characterized by distorted figures and stark contrasts against dark backgrounds.

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