Francis Bacon, Surrealism - Artworks (Page 2)

Showing 24 artworks out of 121 with Francis Bacon and with Surrealism

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Francis Bacon

Figures In Movement, 1976

Experience the visceral intensity of Francis Bacon's 'Figures in Movement' (1976). This haunting painting captures raw emotion and distorted forms, reflecting the artist’s exploration of trauma & the human condition. Own a unique piece of modern art.

Francis Bacon

Portrait Of Man With Glasses Iii, 1963

Portrait of Man with Glasses III, 1963 - This striking oil painting by Francis Bacon captures the unsettling gaze of a man obscured by sunglasses. Executed in 1963, it exemplifies Bacon's signature style – visceral emotion conveyed through distorted forms and textures.

Francis Bacon

1944

2nd Vers Of Triptych -

Francis Bacon

1967

Study For Head Of Isabel Rawsthorne I

Study for Head of Isabel Rawsthorne I by Francis Bacon – A haunting portrait featuring a bird perched on the subject’s nose, capturing a moment of unsettling tension and visceral emotion.

Francis Bacon

Three Studies Form The Human Body 1967

Francis Bacon

Two Figures In The Grass 1

Two Figures in the Grass 1 by Francis Bacon – This evocative painting depicts two dogs resting on grass, accompanied by two people, capturing Bacon’s signature style of visceral emotion and unsettling imagery.

Francis Bacon

Two Studies For Self-portrait, 1977 (b)

Two Studies for Self-Portrait, 1977 (b) by Francis Bacon – A haunting depiction of the artist’s gaze, rendered in stark black and white with subtle textural variations. Explore Bacon's masterful use of form and emotion to convey profound psychological insight.

Francis Bacon

1950

Study After Velazquez I, Tony Shafrazi Gallery,

Study after Velazquez I, Tony Shafrazi Gallery, Francis Bacon - This striking black and white painting depicts a man seated in a chair with his head covered by cloth, capturing the artist's signature visceral emotion and exploring themes of introspection and displacement. Inspired by Velázquez’s masterpiece, it embodies Bacon’s distinctive style.

Francis Bacon

1949

Head-vi Arts Council Of Great Britain, London

Experience Francis Bacon's 'Head-VI,' a haunting 1949 painting exploring existential angst & trauma through distorted figures, surreal elements, and a screaming face inspired by silent film.

Francis Bacon

Study For Portrait Of Isabel Rawsthorne, 1964

The painting depicts a man seated on a chair with his hands tied behind him, conveying distress and discomfort amidst an intense atmosphere. Two figures appear in the background, adding to the dramatic effect.

Francis Bacon

Study For Portrait Of Isabel Rawsthorne 1

The painting depicts a man with a striking white face paint covering, wearing a red shirt and scarf, gazing intently at the viewer against a textured crimson backdrop. Bacon's signature style embodies visceral emotion and psychological exploration.

Francis Bacon

Study For A Pope Iv

Study for a Pope IV - Francis Bacon A haunting depiction of mortality and psychological torment, this study captures the essence of Bacon's signature style – grotesque figures juxtaposed against stark backgrounds. The painting portrays a man with a skeleton face seated in a chair, embodying themes of decay and existential dread. Its unsettling imagery reflects Bacon’s preoccupation with human vul

Francis Bacon

Three Studies For Self-portrait, 1974 Left

Three Studies for Self-Portrait, Left (1974) - A haunting black and white photograph capturing Francis Bacon's introspective gaze as he contemplates his own visage.

Francis Bacon

Three Studies For Self-portrait, 1972 Left

This haunting portrait by Francis Bacon captures the unsettling distortion of human form and emotion. Executed in 1972, 'Three Studies for Self-Portrait' embodies Bacon’s signature expressive style—a visceral exploration of psychological torment.

Francis Bacon

Three Studies For Self-portrait, 1972 Right

The painting depicts a man with closed eyes and a distorted face, wearing a tie. It’s an unsettling expressionist piece by Francis Bacon titled "Three Studies for Self-Portrait, 1972 Right." The composition evokes tension and unease.

Francis Bacon

Portrait Of A Cardinal I

“Figure Seated (the Cardinal)” was created in 1955 by Francis Bacon in Expressionism style. Find more prominent pieces of portrait at WikiArt.org – best visual art database. Francis Bacon, a name synonymous with the rawest emotionality in 20th-century art, was born in Dublin, Ireland, in 1909, yet his artistic spirit found its truest expression within the turbulent landscape of post-war Britain. H

Francis Bacon

1957

Study For Portrait Of Van Gogh Iii

Francis Bacon's "Study for Portrait of Van Gogh III" (1957) is a haunting exploration of melancholy and introspection, blending Van Gogh’s style with Bacon’s signature distortion. A powerful modernist piece.

Francis Bacon

1953

Man With Dog

The painting depicts a man and a dog intertwined on a metal grate, embodying Bacon's exploration of vulnerability and confinement amidst a dark backdrop.

Francis Bacon

1977

Two Studies For Self-portrait, Left

Two Studies for Self-Portrait, left - This haunting black and white painting by Francis Bacon depicts a man with a severely scarred face, capturing the artist's signature exploration of pain and psychological torment. A visceral portrayal of vulnerability and distortion.

Francis Bacon

Man In Blue Vii

Francis Bacon

Head Iii, 1961

Head III (1961) by Francis Bacon – A haunting black and white portrait capturing the unsettling distortion of human emotion. Explore the visceral expressionism of this iconic piece.

Francis Bacon

Study For A Portrait Of Van Gogh V, 1957

Study for a Portrait of Van Gogh V, 1957 - Francis Bacon's evocative depiction captures the melancholic beauty of a rainy day stroll with a dog companion. This unsettling portrait explores themes of solitude and vulnerability through visceral brushstrokes.

Francis Bacon

Triptych, 1971 Center

Triptych, 1971 Center - This painting depicts a solitary man on stairs before a window, holding a rope and accompanied by two figures, capturing Bacon's signature blend of psychological intensity and visceral emotion.

Francis Bacon

Study For Head Of Geogre Dyer, 1967

Study for Head of George Dyer, 1967 - This unsettling portrait by Francis Bacon captures the artist's signature style—a grotesque depiction of human anatomy rendered with muted colors and a palpable sense of psychological torment.

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