Francis Bacon, Surrealism - Artworks (Page 3)

Showing 24 artworks out of 121 with Francis Bacon and with Surrealism

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Francis Bacon

Sphinx Ii, 1952

Explore Francis Bacon's iconic ‘Sphinx II,’ a haunting Expressionist masterpiece capturing existential anguish through fragmented form and bold color palettes. Discover its influence on modern art.

Self-Portrait 7 - A haunting black and white depiction of Bacon's self-image, capturing profound introspection amidst unsettling stillness. Explore the artist’s visceral exploration of identity and emotion.

Francis Bacon

Figure In A Landscaspe, 1945 V

The painting depicts a man wearing a hat and gazing downwards amidst scattered flowers, primarily pink roses, symbolizing introspection and contemplation within a vibrant natural setting.

Francis Bacon

Study Of George Dyer, 1970 Left

The painting depicts George Dyer with an open mouth, conveying intense emotion and unsettling distortion – characteristic of Francis Bacon's expressionist style.

Francis Bacon

Study Of A Baboon

Explore Francis Bacon's haunting 'Study of a Baboon' (1953). This Expressionist masterpiece captures anguish and isolation through distorted forms & vivid colors – a visceral exploration of the human condition.

Francis Bacon

Lying Figure Nr. 3

Lying Figure Nr. 3 by Francis Bacon - A haunting black and white depiction of a dancer amidst shadowy figures, capturing the artist's signature visceral style.

Francis Bacon

Study For Portrait Of J.h.

Francis Bacon's 'Study for Portrait of J.H.' is a haunting black-and-white depiction of a baby’s head, reflecting the artist’s visceral exploration of human emotion and mortality. A powerful study in distortion and psychological depth.

Francis Bacon

1961

Seated Figure Tate Gallery

This haunting portrait by Francis Bacon captures a man's unsettling gaze and posture, juxtaposed against the stark simplicity of a chair and handbag. Explore the visceral emotion conveyed through Bacon’s masterful use of color and texture.

Francis Bacon

Chimpanzee

Francis Bacon

Study For A Portrait

The painting depicts a man with an unsettling visage, clad in black robes and seated upon a metal-framed chair, gazing intently at the viewer with an expression of profound intensity. Executed in oil paint with an expressive style reminiscent of Francis Bacon's signature technique, the artwork captures a moment of psychological drama.

Francis Bacon

Three Studies Of Henrietta Moraes Ii, 1969 B

Three Studies of Henrietta Moraes II, 1969 A - This haunting painting by Francis Bacon depicts a woman with closed eyes and scarred skin against a vibrant yellow background, capturing the artist's signature exploration of pain and vulnerability.

Francis Bacon

Three Figures In A Room, 1964 Center

The painting depicts a naked man seated on an oddly shaped blue chair, his hands clasped together, conveying vulnerability and introspection. Bacon's expressionistic style captures the raw emotion of the figure against the unsettling backdrop.

Francis Bacon

Three Studies For Henrietta Moraes, 1963 A

The painting depicts a woman's face with an oversized nose and closed eyes, bathed in dark hues to create dramatic contrast. Bacon’s expressive style conveys intense emotion through visceral imagery.

Francis Bacon

1961

Reclining Woman,

“Reclining Woman,” by Francis Bacon (1961), explores themes of vulnerability and psychological torment through distorted figures against a stark red backdrop. This iconic piece showcases Bacon’s signature style—a visceral depiction of human form—and is currently exhibited at Tate Britain as part of Modern and Contemporary British Art.

Francis Bacon

Self-portrait, 1971

Explore Francis Bacon’s ‘Two Studies for a Self-Portrait.’ A textured, expressionistic portrait brimming with psychological intensity & raw emotion. Discover this iconic work.

Francis Bacon

Study For A Crouching Nude, 1952

Study for Crouching Nude by Francis Bacon explores themes of confinement and vulnerability through a dynamic composition featuring a caged figure inspired by Muybridge's horse jump studies. Exhibited at ICA London in 1952, it’s held at the Detroit Institute of Arts.

Francis Bacon

Study For Head Of George Dyer, 1967

“Study for Head of George Dyer” was created in 1967 by Francis Bacon in Expressionism style. Find more prominent pieces of sketch and study at WikiArt.org – best visual art database.

Francis Bacon

Seated Figure, 1961

Seated Figure, 1961 - This painting by Francis Bacon captures the unsettling stillness of human experience. Featuring a man seated on a chair with his hands in pockets against a backdrop of couches and luggage, it embodies Bacon's signature style—a visceral exploration of emotion and psychological torment.

Francis Bacon

Study For A Portrait 1

Francis Bacon

Four Studies For A Self-portrait, 1967

Explore Francis Bacon's haunting 'Four Studies for a Self-Portrait,' 1967 – an unsettling depiction of human vulnerability and psychological exploration rendered in oil on canvas.

Francis Bacon

1971

Study Of Red Pope Second Version

Study of Red Pope Second Version - Francis Bacon The painting depicts a man seated in a chair with his hands on his chest, wearing a red robe. Another figure stands beside him. A dark and unsettling atmosphere dominates the dimly lit room.

Francis Bacon

Oedipus And The Sphinx

A haunting depiction by Francis Bacon captures raw emotion through expressive brushstrokes and an unsettling orange hue—a visceral exploration of human vulnerability. The painting features a vibrant orange background, which adds to the dramatic and intense atmosphere of the scene.

Francis Bacon

1964

Three Figures In A Room, Left

The painting depicts three figures in a room, with one seated on a chair and another standing nearby. The scene is marked by dramatic composition and conveys a sense of unease.

Francis Bacon

Study For Self-portrait, 1973 A

Study for Self-Portrait, 1973 A - Francis Bacon A haunting portrait by Bacon depicting a man wearing a mask, capturing the artist's signature exploration of psychological torment and vulnerability. The stark red wall backdrop emphasizes the figure’s isolation and adds to the painting’s unsettling atmosphere. Meta Description: Intense gaze & masked visage embody Bacon's visceral style – a study f

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