Showing 4 artworks with George Catlin and with 1838
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George Catlin
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1838
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- Walnut
- Driftwood
- Mahogany
- Putty
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- 19Th Century Realism
- 19Th Century Portrait
- Feathered Headdress
- Frontier Portraiture
- George Catlin Portrait
- Contemplative Mood
- Native American Woman
- King Phillip Artwork
- Portrait Of Chief
- Traditional Indian Attire
- Serious Expression
- Indigenous Portrait
- Muscogee Creek Art
- Impasto Oil Painting
- Oil Paint Texture
- Native American Art
- Red Headdress Painting
- Catlin Native Art
- Pacific Northwest Coast
- American Frontier Art
- Native American Portrait
- Bold Red And Brown
- Native American Chief
- Sad Facial Expression
- George Catlin Style
- George Catlin Painting
- Intense Gaze
- Historical Figure
- Frontier Realism
- Ethnographic Painting
Explore George Catlin’s ‘Ee mat lá , King Phillip, Second Chief’ – a striking 1838 portrait of an Indigenous leader in expressive oil paint. Discover its rich symbolism & historical significance.
A powerful portrait of Co ee há jo, a Chief featuring a striking feathered headdress by George Catlin from 1838 that captures the profound dignity of Native American heritage and invites you to explore this masterpiece.
An intense portrait of the Native American leader Láh shee, known as Creek Billy, captured by George Catlin in 1838 with profound historical detail, inviting you to explore this masterpiece of frontier art.
A poignant portrait of a Native American woman conveying deep contemplation by George Catlin from 1838, capturing the soulful essence of frontier life for your private collection.