Showing 24 artworks out of more than 240+ with George Grosz and with Brilliant
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Explore George Grosz’s ‘Der Dank des Vaterlands,’ a striking propaganda poster showcasing Expressionism & patriotic fervor. Watercolor/gouache, 1921.
George Grosz’s striking portrait of Max Herrmann-Neisse captures the writer's intense gaze and formal attire in a powerfully satirical style reflecting the Weimar Republic era, offering a unique opportunity to own this iconic artwork.
Experience George Grosz’s biting satire in ‘Ausschweifung,’ a dynamic Berlin night club painting capturing the era's social decay. This iconic work from the Weimar Republic offers a visceral indictment of society, perfect for art lovers and collectors.
George Grosz's 'The Lecture,' created in 1935, confronts antisemitism and political oppression through unsettling imagery—a brutal depiction of Mühsam’s death and the Nazi regime’s propaganda.
George Grosz's 'Self Portrait, Admonishing' (1927) is a powerful Verism oil painting critiquing society. See the artist's warning gaze & own a handmade reproduction.
Explore George Grosz's 'Artist and Model' (1928), a captivating Verism painting depicting the relationship between an artist and muse, showcasing Berlin life.
George Grosz’s ‘The Family’ delivers a biting social satire in stark black and white, depicting a bourgeois couple amidst a grim Weimar Republic landscape. Explore this powerful commentary on German society and its institutions – perfect for art lovers and collectors.
Explore George Grosz’s ‘sunny land,’ a surreal watercolor depicting animal figures in a chaotic, satirical scene. Discover its naive art style & layered composition – a unique piece reflecting Weimar Germany's society.
Explore George Grosz’s ‘Manhattan’ (1934) – a watercolor depicting wartime naval scenes & urban life. Impressionistic, symbolic, and rich in detail.
Explore George Grosz’s satirical lithograph ‘The Stick,’ a powerful critique of Nazi ideology through chaotic imagery & bold lines. A unique wartime propaganda piece.
Explore George Grosz’s ‘Untitled (2428)’ – a satirical painting of a horned figure in formal attire. A unique, unsettling artwork reflecting Weimar Germany's society.