Giovanni Battista Piranesi, Portrait

Giovanni Battista Piranesi

1756

The Roman Antiquities, T. 2, Plate Xxiii. Remains Of The Great Building Burial Added To The Mausoleum Of Constance.

Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Vii. View Of The Ancient Appian Way, Which Passes Under The Walls Of `ustrine.

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xiv. View Of Bridge St. Angel, From The Castle Towards The Road Of Banks.

A hauntingly atmospheric black and white architectural drawing of a Gothic-inspired Round Tower by Giovanni Battista Piranesi from 1749 captures the grandeur of historical ruins, inviting you to explore this timeless masterpiece.

Giovanni Battista Piranesi

1756

The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial.

Giovanni Battista Piranesi’s engraving depicts the ruined Temple of Titus, a monumental Roman antiquity. Explore its detailed plan & section in this 1756 masterpiece.

Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xiv. View Of A Tomb Outside Porta Del Popolo On The Ancient Via Cassia Called By The Vulgar: The Tomb Of Nero.

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xxxii. Following The Above Table.

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities,’ a monumental engraving depicting the foundation of Marseille’s Tower. A stunning example of 18th-century architectural precision.

Giovanni Battista Piranesi

1745

Carceri Series, Plate Iii

Giovanni Battista Piranesi

1745

The Drawbridge, Plate Vii From The Series Carceri D

Experience Piranesi’s ‘The Drawbridge.’ A haunting black & white drawing from his 'Carceri' series. Explore a dramatic, atmospheric vision of an imaginary prison – a neoclassical masterpiece.