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Showing 24 artworks out of 82 with Giovanni Battista Piranesi and with Neoclassicism

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Ruins Of A Gallery Of Statues In Hadrian`s Villa At Tivoli — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
Ruins Of A Gallery Of Statues In Hadrian`s Villa At Tivoli

Explore 'Ruins of a Gallery of Statues' by Piranesi – a stunning 1756 etching showcasing Roman ruins & Neoclassical beauty. A captivating art piece for collectors.

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Bust Of Old Man — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Bust Of Old Man
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The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial.

Giovanni Battista Piranesi’s engraving depicts the ruined Temple of Titus, a monumental Roman antiquity. Explore its detailed plan & section in this 1756 masterpiece.

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The Roman Antiquities, T. 1, Plate Xxxiii. Veduta With Ruins Of Nero`s Golden House. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate Xxxiii. Veduta With Ruins Of Nero`s Golden House.

Explore Giovanni Battista Piranesi’s ‘Roman Antiquities’ engraving – a haunting veduta of Nero’s Golden House ruins. Detailed linework & historical grandeur await!

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The Drawbridge, Plate Vii From The Series Carceri D — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1745
The Drawbridge, Plate Vii From The Series Carceri D

Experience Piranesi’s ‘The Drawbridge.’ A haunting black & white drawing from his 'Carceri' series. Explore a dramatic, atmospheric vision of an imaginary prison – a neoclassical masterpiece.

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The Roman Antiquities, T. 1, Plate X. Aurelian Walls And Amphitheatrum Castrense. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate X. Aurelian Walls And Amphitheatrum Castrense.

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities,’ a stunning 1756 engraving of Aurelian Walls & Amphitheatrum Castrense. Detailed black & white, topographical view of ancient Rome.

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The Roman Antiquities, T. 1, Plate Xxiii. Aventine Hill. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate Xxiii. Aventine Hill.

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities,’ a detailed 1756 engraving of Roman ruins & mountainous landscapes. A masterful example of topographical art.

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The Roman Antiquities, T. 4, Plate Xii. View Of An Entrance To The Upper Room Into The Boulder Burial D`elio Adriano. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xii. View Of An Entrance To The Upper Room Into The Boulder Burial D`elio Adriano.

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities’. A meticulously detailed engraving of a Roman burial chamber, showcasing architectural precision & historical fascination.

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The Roman Antiquities, T. 2, Plate Xii. Prospectus And Profile Of A Tomb Of The Previous Rooms — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xii. Prospectus And Profile Of A Tomb Of The Previous Rooms

Explore Giovanni Battista Piranesi’s 'Roman Antiquities,' a meticulously detailed engraving of Roman tomb decorations. Discover intricate scenes & linear artistry from 1756.

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The Roman Antiquities, T. 2, Plate Xv. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xv. Inscriptions And Fragments Of The Burial Chambers Of The Family Arrunzia (figures Carved From Barbault).

Explore Giovanni Battista Piranesi’s 'Roman Antiquities,' a mesmerizing 1756 engraving of decaying Roman ruins. Detailed & atmospheric, showcasing neoclassical style & timeless themes.

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The Roman Antiquities, T. 2, Plate Xlviii. Plan Of Some Burial Chambers Discovered The Year 1751 In The Villa Of The Five Located Outside Porta Salaria Near Grotta Pallotta. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 2, Plate Xlviii. Plan Of Some Burial Chambers Discovered The Year 1751 In The Villa Of The Five Located Outside Porta Salaria Near Grotta Pallotta.

Explore Giovanni Battista Piranesi’s ‘Roman Antiquities,’ a meticulously detailed black & white plan of subterranean chambers. Discover 18th-century cartography & military architecture.

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The Roman Antiquities, T. 4, Plate Xxxvii. Vista Of The Second-largest Share Of The Theatre Of Marcellus. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xxxvii. Vista Of The Second-largest Share Of The Theatre Of Marcellus.

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities,’ a detailed 18th-century drawing of the Teatro di Marcello's facade. A stunning example of neoclassical architectural illustration.

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The Roman Antiquities, T. 4, Plate Xxxii. Following The Above Table. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xxxii. Following The Above Table.

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities,’ a monumental engraving depicting the foundation of Marseille’s Tower. A stunning example of 18th-century architectural precision.

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Vedute Di Roma (104) — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Vedute Di Roma (104)

Explore Giovanni Battista Piranesi’s ‘Vedute di Roma (104)’ – a stunning 18th-century etching of Rome's bustling streets & architectural grandeur. Baroque realism, intricate linework, & historical detail.

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The Roman Antiquities, T. 4, Plate Xxiv. Elevation Of The Bridge And Its Foundations Cestius. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xxiv. Elevation Of The Bridge And Its Foundations Cestius.

Explore Giovanni Battista Piranesi’s ‘Roman Antiquities,’ a stunning 18th-century architectural diagram of the Cestius Bridge. Detailed hatching & perspective reveal Roman grandeur.

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The Roman Antiquities, T. 1, Plate Ix. Aurelian Walls. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate Ix. Aurelian Walls.

Explore Giovanni Battista Piranesi’s ‘Roman Antiquities’ plate IX: Aurelian Walls – a detailed 1756 engraving of Roman aqueduct construction. A unique architectural study!

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Large Plan Of The Roman Campo Marzio (field Of Mars) In Rome — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1762
Large Plan Of The Roman Campo Marzio (field Of Mars) In Rome

Explore Giovanni Battista Piranesi’s detailed 1762 plan of the Roman Campo Marzio – a stunning monochrome topographical map showcasing Neoclassical cartography & architectural precision.

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The Roman Antiquities, T. 2, Plate Xxxii. Plan And External View Of The Tomb Of Alexander Severus Located Outside Porta S. John About A Mile From The Aqueducts. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xxxii. Plan And External View Of The Tomb Of Alexander Severus Located Outside Porta S. John About A Mile From The Aqueducts.

Magnificent hand-painted reproduction of Piranesi’s ‘The Roman Antiquities’. Explore a detailed plan & exterior view of Alexander Severus' tomb in Rome. A neoclassical masterpiece!

$19.00
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Temple Of Ceres And Faustina — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Temple Of Ceres And Faustina

Explore Giovanni Battista Piranesi’s ‘Temple of Ceres & Faustina,’ a stunning monochrome engraving depicting ancient ruins amidst a bustling cityscape. A masterpiece of Baroque architecture!

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The Creation Of Woman — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Creation Of Woman

Explore 'The Creation of Woman' by Piranesi – a stunning 18th-century engraving showcasing neoclassical beauty & melancholic themes. Discover intricate detail & dramatic lighting in this captivating artwork.

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The Roman Antiquities, T. 2, Plate Xxi. Urn Of Marble Found In The Burial Chamber Above (figures Carved From Barbault). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xxi. Urn Of Marble Found In The Burial Chamber Above (figures Carved From Barbault).
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Bust Of Unknown, Unsigned — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Bust Of Unknown, Unsigned

A dramatic black & white engraving by Piranesi depicting Hyllas’ abduction. Explore this neoclassical masterpiece showcasing intricate detail & mythological themes.

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Verso: Fragment Of The Etched Title Page — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1769
Verso: Fragment Of The Etched Title Page

Explore Giovanni Battista Piranesi’s ‘Roma, N. Mercili’ etching fragment (1769). A meticulously detailed monochrome print of Roman architecture, showcasing Neoclassical precision & masterful perspective.

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Map Of The Antonine Column — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Map Of The Antonine Column

Explore Piranesi's intricate etching of the Antonine Column! This stunning 18th-century architectural plan reveals Roman engineering & artistry in meticulous detail. #Piranesi #RomanArt #Etching

$19.90
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