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Showing 24 artworks out of 183 with James Abbott Mcneill Whistler and with Brilliant

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Nocturne In Blue And Green — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1871
Nocturne In Blue And Green

Experience the serene atmosphere of James Abbott McNeill Whistler's Nocturne in Blue and Green, a 1871 Tonalist masterpiece capturing a tranquil moonlit waterfront that invites you to bring this poetic mood into your home.

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Nocturne In Blue And Silver — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1871
Nocturne In Blue And Silver

Tate date: 2021-11-02 tags: ['art

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Symphony In White, No. 1: The White Girl — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1862
Symphony In White, No. 1: The White Girl

Whistler’s artistic theories profoundly impacted the art world of his time. His fascination with music informed his painting practice—he titled many works ‘arrangements,’ ‘harmonies,’ and ‘nocturnes.’ Symphony in White No. 1 remains a celebrated example of Tonalism, demonstrating Whistler's commitment to capturing subtle tonal variations and prioritizing visual harmony.

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Chelsea Bridge And Church. — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1870
Chelsea Bridge And Church.
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Symphony In White, No. 2: The Little White Girl — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1864
Symphony In White, No. 2: The Little White Girl
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Grey And Silver: Old Battersea Reach — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1863
Grey And Silver: Old Battersea Reach

Experience the ethereal beauty of Whistler's 'Grey & Silver: Old Battersea Reach.' This iconic London river scene, painted in 1863, showcases tonal harmonies and industrial landscapes – a masterpiece of aestheticism.

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Photomechanical Reproduction In Halftone, After Whistler — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1893
Photomechanical Reproduction In Halftone, After Whistler
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The Coast Of Brittany (also Known As Alone With The Tide) — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1861
The Coast Of Brittany (also Known As Alone With The Tide)

Discover Whistler’s "The Coast of Brittany." A serene oil painting capturing a solitary figure & coastal beauty. Explore Realism, tonalism & Whistler's 'art for art's sake' philosophy.

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Nocturne: Blue And Silver - Chelsea — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1871
Nocturne: Blue And Silver - Chelsea

Nocturnes, L 98 (also known as Trois Nocturnes or Three Nocturnes) is an Impressionist orchestral composition in three movements by the French composer Claude Debussy, who wrote it between 1892 and 1899.

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En Plein Soleil — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1858
En Plein Soleil
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White Girl — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

White Girl

James Abbott McNeill Whistler’s evocative portrait captures timeless elegance through delicate brushstrokes—a quintessential example of Aestheticism's focus on beauty and sensation. Explore this stunning reproduction and bring Whistler’s serene vision into your home.

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Nocturne: Blue And Gold - Old Battersea Bridge — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1872
Nocturne: Blue And Gold - Old Battersea Bridge
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The Little Putney, No. 1. — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1879
The Little Putney, No. 1.
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Study Of Thomas Carlyle — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1912
Study Of Thomas Carlyle
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Nocturne: Blue And Gold - Southampton Water — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1872
Nocturne: Blue And Gold - Southampton Water
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Whistler — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1873
Whistler
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The Japanese Dress — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

The Japanese Dress

James Abbott McNeill Whistler

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Nocturne: The River At Battersea — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1878
Nocturne: The River At Battersea
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Variations In Flesh Colour And Green: The Balcony — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1865
Variations In Flesh Colour And Green: The Balcony

James Abbott McNeill Whistler's "Variations in Flesh Colour and Green: The Balcony" (1865) captures a serene balcony scene with masterful tonal harmony & color blending. Explore this iconic work by a pioneer of 'art for art’s sake'. #Whistler #ArtHistory

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Morning Glories — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Morning Glories

Admire James Abbott McNeill Whistler's 'Morning Glories,' a pastel masterpiece exploring tonalism and Japanese aesthetics. Discover its serene composition, intricate details & Whistler’s pioneering artistic philosophy.

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Symphony In Flesh Colour And Pink: Portrait Of Mrs. Frances Leyland — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1871
Symphony In Flesh Colour And Pink: Portrait Of Mrs. Frances Leyland

Commissioned by Frederick R. Leyland, one of Whistler's patrons. Exhibited at Whistler's 1874 one-man exhibition. Inspired by Japanese art. Notable for its abstract design and unconventional approach to portraiture.

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Lime Burner — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Lime Burner

James Abbott McNeill Whistler’s evocative Lime burner captures a moment of quiet contemplation amidst urban activity—a striking black and white composition reflecting the Aesthetic movement's focus on formal beauty. Explore this masterful reproduction and bring Whistler’s vision home.

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Figures In A Doorway — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1897
Figures In A Doorway

James Abbott McNeill Whistler's "Figures in a Doorway" captures everyday life with watercolor’s delicate beauty. Explore the scene, symbolism & artistic influences of this iconic work.

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Limehouse — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Limehouse

as held at the Art Gallery of New South Wales in Sydney (Dreams and realities: Victorian works on paper), highlighting its significance within the broader context of Victorian art history. Furthermore, it appeared in Peter Raissis's publication "Whistler to Freud: etchings in Great Britain," furthering its scholarly recognition.

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