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Showing 24 artworks out of 94 with James Abbott Mcneill Whistler and with Victorian Art

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1858 1900

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Harmony In Flesh Colour And Red — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1869
Harmony In Flesh Colour And Red

Similar explorations of color and composition can be found in Matisse's Nature morte aux pot d’étain and Wyspiański’s The Interior.

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Rose (also Known As The Napolitaine) — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1897
Rose (also Known As The Napolitaine)
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The Artist's Mother (detail) — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1871
The Artist's Mother (detail)

Explore Whistler’s iconic 'The Artist's Mother,' a masterpiece of Aestheticism and a poignant portrayal of familial devotion. Discover its history & symbolism.

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Nocturne In Black And Gold, The Falling Rocket — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Nocturne In Black And Gold, The Falling Rocket

James Abbott McNeill Whistler (1834-1903) championed 'art for art's sake,' rejecting moralizing narratives. His exploration spanned from West Point to the U.S. Coast Survey, fostering adaptability and exposure to diverse environments.

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Harmon In Red: Lamplight — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1886
Harmon In Red: Lamplight

Explore James Abbott McNeill Whistler’s iconic 'Harmony in Red Lamplight' (1886), a masterpiece of tonalism housed at the Hunterian Museum & Art Gallery. Discover its aesthetic principles and influence on Impressionist art.

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The Balcony, Variations In Flesh Colour And Green — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1865
The Balcony, Variations In Flesh Colour And Green
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Purple And Rose: The Lang Leizen Of The Six Marks — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1864
Purple And Rose: The Lang Leizen Of The Six Marks
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Billingsgate — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1859
Billingsgate
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Nocturne: Black And Gold - The Rag Shop, Chelsea — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1878
Nocturne: Black And Gold - The Rag Shop, Chelsea
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Nocturne In Blue And Gold Old Battersea Bridge — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1872
Nocturne In Blue And Gold Old Battersea Bridge
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Arrangement In Black, Portrait Of F. R. Leyland — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Arrangement In Black, Portrait Of F. R. Leyland

Whistler's 'Arrangement in Black' is a masterful tonal portrait of F.R. Leyland, showcasing his innovative approach to color and form – a key work in the Tonalist movement.

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Nocturne In Blue And Silver — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1871
Nocturne In Blue And Silver

Tate date: 2021-11-02 tags: ['art

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Arrangement In Black, No. 3: Sir Henry Irving As Philip Ii Of Spain — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1885
Arrangement In Black, No. 3: Sir Henry Irving As Philip Ii Of Spain

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain

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Arrangement In Black No 5 Lady Meux — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Arrangement In Black No 5 Lady Meux
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Harmony In Blue And Gold, The Peacock Room — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Harmony In Blue And Gold, The Peacock Room
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Arrangement In Black, No. 2. Portrait Of Mrs. Louis Huth — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Arrangement In Black, No. 2. Portrait Of Mrs. Louis Huth
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Symphony In White, No. 1: The White Girl — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1862
Symphony In White, No. 1: The White Girl

Whistler’s artistic theories profoundly impacted the art world of his time. His fascination with music informed his painting practice—he titled many works ‘arrangements,’ ‘harmonies,’ and ‘nocturnes.’ Symphony in White No. 1 remains a celebrated example of Tonalism, demonstrating Whistler's commitment to capturing subtle tonal variations and prioritizing visual harmony.

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Chelsea Bridge And Church. — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1870
Chelsea Bridge And Church.
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The Forge — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1861
The Forge
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Harmony In Grey And Green: Miss Cicely Alexander — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

1872
Harmony In Grey And Green: Miss Cicely Alexander

James Abbott McNeill Whistler (1834–1903) championed 'art for art's sake,' rejecting narrative conventions to prioritize pure visual sensation. His Parisian upbringing fostered artistic experimentation and connections with prominent figures like Oscar Wilde.

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Rose And Silver Portrait Of Mrs Whibley — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Rose And Silver Portrait Of Mrs Whibley
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Black And Red Aka Study In Black And Gold (madge O'donoghue) — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Black And Red Aka Study In Black And Gold (madge O'donoghue)
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Old Battersea Bridge — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Old Battersea Bridge

A serene depiction of Battersea Bridge at dusk, featuring numerous figures and boats reflecting the golden hues of twilight. Whistler's masterpiece embodies aestheticism—art pursued solely for its beauty.

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Brown And Silver Old Battersea Bridge — James Abbott Mcneill Whistler

James Abbott Mcneill Whistler

Brown And Silver Old Battersea Bridge

Brown and Silver: Old Battersea Bridge [painting] / (photographed by Peter A. Juley & Son) The painting captures the serene beauty of Battersea Bridge at dusk, showcasing Whistler's masterful use of tonal harmonies and subtle color palettes. Photographed by Peter A. Juley & Son.

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