Showing 24 artworks out of more than 240+ with Katsushika Hokusai and with Accent
-
Katsushika Hokusai
-
Accent
Not available for this selection
- Japanese Ukiyo-E
- Japanese Landscape Painting
- Ukiyo-E
- Impressionism
- Japanese Landscape Printmaking
- Japanese Landscape
- Impressionistic Landscape
- Japanese Landscape Print
- Japanese Printmaking
- Japanese Ukiyo-E Tradition
- Japanese Edo
- Japanese Edo Period
- Japanese Watercolor
- Japanese Prints
- Japanese Ukiyo-E
- Japanese Art
- Japanese Ukiyo-E Style
- Ukiyo-E Style
- Other
- Ukiyo-E
- Impressionistic Wave
- Ukiyo-E Impressionism
- Ukiyo-E School
- Japanese Edo Period Style
- Japanese Edo Style
- See all
- Gray
- Espresso
- Driftwood
- Phthalo Green
- Prussian Blue
- Sea Green
- Rosy Brown
- Sap Green
- Walnut
- Quinacridone Magenta
- Clay
- Black
- Japanese Art
- Landscape Painting
- Fine Art Reproduction
- Edo Period
- Hokusai
- Ukiyo-E Print
- Traditional Japanese Art
- Edo Period Art
- Hokusai Masterpiece
- Katsushika Hokusai
- Japanese Culture
- Woodblock Printing
- Hokusai Landscape
- Tranquility
- Impressionism Influence
- Japanese Landscape
- Symbolic Imagery
- Hokusai Print
- Edo Period Painting
- Hokusai Ukiyo-E
- Nineteenth Century Art
- Ukiyo-E Painting
- Impressionist Influence
- Traditional Japanese
- Woodblock Print
'Dragon' by Hokusai embodies Edo period Japanese art’s observation, craftsmanship, and symbolic depth—a monumental series capturing nature’s grandeur within a single print. Explore this masterpiece at WikiArt!
Katsushika Hokusai's *Roben Waterfalls* exemplifies Edo-period artistic innovation with Prussian blue pigment and masterful perspective, conveying nature’s dynamism and symbolizing purity through Ōyama Mountain’s cascade.
Katsushika Ōi (葛飾 応為, c. 1800 – c. 1866), also known as Ei (栄; or O-Ei (お栄) with the honorific prefix) or Ei-jo (栄女; lit. 'woman Ei'), was a Japanese ukiyo-e artist of the early 19th century Edo period. She was a daughter of Hokusai from his second wife.
The image is a painting of a mountainous landscape with a large mountain in the background. The painting features several people scattered throughout the scene, some closer to the foreground while others are further away. There are also two birds visible in the sky, one near the top left corner and another towards the center-left side of the image. The painting is set against an oriental backdrop
This stunning mural by Katsushika Hokusai, featuring a majestic phoenix amidst pine branches, embodies tranquility and spiritual contemplation. Located in Nagano Prefecture’s Ganshoin Temple, it's a testament to Hokusai's enduring influence on Japanese art and landscape painting. Discover its history, symbolism, and the temple's serene surroundings – a must-see for art enthusiasts! Admire Katsush
A profound exploration of human desire through the erotic shunga woodblock prints of Katsushika Hokusai from the Edo period, inviting you to explore the intricate beauty and passion of this 1814 masterpiece.
This print, titled "The Mansion of the Plates (Sara yashiki)" from Hokusai's renowned One Hundred Ghost Tales series (1831–32), portrays Okiku’s vengeful spirit haunting her former employer. Executed in vibrant Prussian blue pigment—a color symbolizing death and occultism—the artwork captures a chilling tale of retribution. Produced by Kuroda Bakufu, this exquisite chuban exemplifies Hokusai's mas
Hokusai Experience the breathtaking beauty of Katsushika Hokusai's 'Storm Below The Mountain,' a masterful woodblock print capturing Mount Fuji amidst turbulent clouds and soaring birds – a timeless symbol of Japanese landscape art.
Experience the serene beauty of Katsushika Hokusai’s masterful depiction of Fuji from Minobu River—a quintessential Edo-period landscape capturing a tranquil beach scene with figures and horse amidst towering mountains, inviting you to explore this iconic artwork.
Explore Katsushika Hokusai's masterful depiction of Sun Wukong wielding his staff – a powerful symbol of strength and determination from the iconic Great Wave series.
Katsushika Hokusai Delve into the captivating world of Katsushika Hokusai's *Battle Between Two Warriors*. Admire the dynamic composition, vibrant colors & intricate decorative elements – a masterpiece reflecting Edo-period Japan.
Experience Katsushika Hokusai's "The Waterwheel at Onden" (1832). This Edo-period woodblock print captures rural life with Mt. Fuji, showcasing a lively scene of people and umbrellas amidst nature’s beauty.
Katsushika Hokusai The image is a painting of a man in traditional Japanese clothing, possibly a samurai or warrior. He is holding two swords, one on each side, and appears to be wearing a helmet. The man's face is not visible, but his body is adorned with various patterns and designs. The painting features a blue background that contrasts nicely with the vibrant colors of the man's clothing and
This painting, attributed to Katsushika Hokusai (1760-1849), exemplifies the artist’s signature style within the ukiyo-e tradition. Known primarily for *The Great Wave off Kanagawa*, Hokusai's oeuvre encompassed a vast range of subjects—from seascapes and landscapes like this depiction of Mount Myôgi to depictions of everyday life and manga—demonstrating his remarkable versatility. The artwork sho
Katsushika Hokusai This captivating painting depicts a canary perched on a peony flower. Set against a calming blue hue, the artwork showcases intricate floral arrangements – including pink blossoms – embodying Hokusai’s masterful observation of nature. Landscape Painting 'The Great Wave off Kanagawa' influenced Impressionism and demonstrated Hokusai's ability to convey emotion through visual e
Katsushika Hokusai (1760-1849), a titan of ukiyo-e, relentlessly pursued artistic mastery from humble beginnings. His legacy includes iconic prints like 'The Great Wave' and profound influence on Western art. Created during the Edo period, this artwork embodies Japan’s fascination with nature and reflects Hokusai’s innovative approach to landscape painting. Executed in ukiyo-e style (woodblock p
Deluxe silk reproduction captures Hokusai’s sensual Bijinga style—two women carrying pots for the Tsukuma Festival—a masterful blend of woodblock printing and hand painting from 1806/07, showcasing Edo-period artistry.
Katsushika Hokusai's *The Precincts Of The Kinryûzan Temple Of Kannon At Asakusa* and *Inside the Courtyard of the Toeizan Temple at Ueno*, alongside *The Great Wave off Kanagawa*, exemplify his masterful use of perspective and detail to portray Edo-period Japan. Born in Tokyo around 1760, Hokusai relentlessly pursued artistic excellence from a young age, demonstrating unwavering dedication to his
Katsushika Ōi (葛飾 応為, c. 1800 – c. 1866), also known as Ei (栄; or O-Ei (お栄) with the honorific prefix) or Ei-jo (栄女; lit. 'woman Ei'), was a Japanese ukiyo-e artist of the early 19th century Edo period. She was a daughter of Hokusai from his second wife. Ōi was an accomplished painter who also worked as a production assistant to her father. She studied under Tsutsumi Torin III (1789–1830) who was
Katsushika Hokusai’s ‘Torch In Kai Province,’ created around 1833/34, captures a nighttime fishing expedition with luminous torches against the backdrop of a calm sea. This iconic piece exemplifies Hokusai's masterful use of color and composition within his 'One Thousand Pictures of the Ocean' series, influencing Impressionist artists like Claude Monet. Explore its detailed depiction of figures an