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Showing 24 artworks out of 119 with Kazimir Malevich

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Female Torso — Kazimir Malevich

Kazimir Malevich

1933
Female Torso

Kazimir Malevich's 'Female Torso' (1933) is a striking Suprematist masterpiece, embodying pure form and emotion through bold geometric shapes and vibrant color. Explore this iconic work of abstract art.

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Suprematist Painting 1 — Kazimir Malevich

Kazimir Malevich

Suprematist Painting 1

Explore Kazimir Malevich’s Suprematist Painting 1 – a minimalist masterpiece of geometric abstraction. Discover its impact & beauty in this iconic work.

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Schneider, Allogismus, Aushang — Kazimir Malevich

Kazimir Malevich

Schneider, Allogismus, Aushang

Own a stunning hand-painted reproduction of Kazimir Malevich's 'Schneider, Allogismus, Aushang.' This Suprematist masterpiece features bold geometric forms and vibrant color – a revolutionary art experience.

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Death Of The Calvary General — Kazimir Malevich

Kazimir Malevich

Death Of The Calvary General

Kazimir Malevich’s ‘Death of the Calvary General,’ executed in 1914, embodies Suprematism's core principles: geometric abstraction and pure emotion. This grayscale sketch showcases angular shapes and bold lines reflecting Cubist aesthetics—a pivotal moment in modern art history.

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Study For The Front Program Cover For The First Congress Of The Committees On Rural Poverty — Kazimir Malevich

Kazimir Malevich

Study For The Front Program Cover For The First Congress Of The Committees On Rural Poverty

Explore Kazimir Malevich’s ‘Front Program Cover.’ This abstract Suprematist masterpiece – bold red/black, white circle – exemplifies 20th-century art. Acquire a unique piece!

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Devils Are Sawing Sinner — Kazimir Malevich

Kazimir Malevich

1914
Devils Are Sawing Sinner

--- Kazimir Malevich (1879-1935): A pivotal figure in abstract art, Malevich’s ‘Devils Sawing a Sinner,’ created in 1914, embodies the raw emotion of Naïve Art. This striking black and white poster showcases two demonic figures brutally sawing through a sinner's body—a chilling commentary on sin and punishment. Explore its artistic significance and lasting legacy.

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Suprematistic Composition. White In White. (feeling Of Fading Away.) — Kazimir Malevich

Kazimir Malevich

1927
Suprematistic Composition. White In White. (feeling Of Fading Away.)
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The Movement Of The Suprematistic Square, Which Constitutes A New Dihedral Suprematistic Element — Kazimir Malevich

Kazimir Malevich

1927
The Movement Of The Suprematistic Square, Which Constitutes A New Dihedral Suprematistic Element

The Movement of the Suprematistic Square, Which Constitutes a New Dihedral Suprematistic Element

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Boulevard — Kazimir Malevich

Kazimir Malevich

Boulevard
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Composition Suprematistic Elements (feeling Of The Flight) — Kazimir Malevich

Kazimir Malevich

1927
Composition Suprematistic Elements (feeling Of The Flight)

Kazimir Malevich’s "Composition suprematistic elements (Feeling of the flight)" – a striking 1927 abstract work. Explore Suprematism's bold lines & dynamic forms in this unique print.

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Suprematist Drawing 4 — Kazimir Malevich

Kazimir Malevich

Suprematist Drawing 4

Kazimir Malevich's 'Suprematist Drawing 4' is a minimalist masterpiece of geometric abstraction. Explore the iconic Suprematist drawing, showcasing pure form and color in this unique art reproduction.

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Boy — Kazimir Malevich

Kazimir Malevich

1932
Boy

Kazimir Malevich’s surreal ‘Boy,’ painted in 1932, embodies Suprematism's radical simplification—a floating head against a grassy backdrop—capturing the artist’s pioneering vision of abstract art and inviting you to explore this iconic masterpiece.

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Decor Sketches For The Opera ''victory Over The Sun'' — Kazimir Malevich

Kazimir Malevich

1913
Decor Sketches For The Opera ''victory Over The Sun''
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Contrasting Suprematistic Elements — Kazimir Malevich

Kazimir Malevich

1927
Contrasting Suprematistic Elements
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Suprematistic Composition (feeling Of The Current. Telegraphy.) — Kazimir Malevich

Kazimir Malevich

1927
Suprematistic Composition (feeling Of The Current. Telegraphy.)

Kazimir Malevich's Suprematistic Composition (Feeling of the Current. Telegraphy.), created in 1927, exemplifies Suprematism’s radical rejection of representational imagery. Featuring simple geometric shapes—primarily circles and rectangles—arranged on a plain background, this black and white masterpiece captures dynamism through intersecting lines and embodies Malevich's pursuit of pure feeling.

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Black Square — Kazimir Malevich

Kazimir Malevich

1916
Black Square
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Blue Space — Kazimir Malevich

Kazimir Malevich

1917
Blue Space
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Sketchbook — Kazimir Malevich

Kazimir Malevich

1916
Sketchbook

Explore Kazimir Malevich’s ‘Sketchbook,’ a pivotal Suprematist study in red, black & white. Discover dynamic geometric abstraction & early Constructivist design.

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Combined Suprematistic Composition. (feeling Of Metallic Sounds - Dynamic) (pale - Metallic Colour) — Kazimir Malevich

Kazimir Malevich

1927
Combined Suprematistic Composition. (feeling Of Metallic Sounds - Dynamic) (pale - Metallic Colour)

Explore Kazimir Malevich's 'Combined Suprematistic Composition,' a groundbreaking abstract painting from 1927 embodying suprematism’s dynamic geometric forms and metallic hues – a masterpiece of Russian avant-garde.

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At The Cemetery — Kazimir Malevich

Kazimir Malevich

At The Cemetery

Kazimir Malevich’s ‘At the Cemetery’ (1911) captures a somber burial scene with stark lines, grayscale tones, and Expressionist intensity – a precursor to Suprematism's geometric abstraction.

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Mystic — Kazimir Malevich

Kazimir Malevich

Mystic
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Motherhood — Kazimir Malevich

Kazimir Malevich

Motherhood

Kazimir Malevich’s ‘Motherhood’ – a stark black & white Suprematist masterpiece. Explore geometric forms, emotional intensity & vulnerability in this unique drawing.

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Circle — Kazimir Malevich

Kazimir Malevich

Circle

Explore Kazimir Malevich’s ‘Circle,’ a meticulously detailed monochrome drawing embodying Suprematism. Admire its textured dot pointillism & balanced composition – a key piece of 20th-century art.

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Portrait Of Woman — Kazimir Malevich

Kazimir Malevich

Portrait Of Woman

Malevich’s exploration of color, form, and texture reflects the core tenets of Suprematism. This painting stands as a testament to his innovative approach to portraiture and its place within the broader context of modernist art.

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