Showing 13 artworks with Unidentified Artist, Harper's Weekly and with artwork date before 1940 and with artwork date after 1930
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Unidentified Artist, Harper's Weekly
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-1940
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1930+
Not available for this selection
- Espresso
- Gray
- Rosy Brown
- Celadon
- Black
- Quinacridone Magenta
- Driftwood
- Putty
- Black And White Photo
- Urban Photography
- Harper'S Weekly Art
- Solemn Atmosphere
- Street Photography
- Memorial Columns
- Nostalgic Cityscape
- 1930S Street Photo
- Monochrome Allegory
- Historical Monument
- Emmy Lou Packard
- City Life Image
- 1932 Memorial
- Vintage City Scene
- City Street Photo
- Commemorative Art
- Black White Art
- Diego Rivera
- Candid Street Scene
- 1940 San Francisco
- Black And White
- Antique Photograph
- Classic Photograph
- Geometric Shapes Art
- Classical Sculpture
- Ornate Architecture
- 1930S Street Scene
- Monumental Statue
- Retro Photograph
- Retro City Photo
- Monumental Scene
- Classic Cars Image
- Archival Print Art
- Trolley Car Photo
- Historical Figures
- Vintage Photograph
- American Vintage
- Historical Photo
- Constitutionalist Era
- Linear Composition
- Vintage Transportation
- Vintage Photography
- Urban Pedestrians
Vintage Harper’s Weekly photo of ‘Barão de Jaguara street’ (1931). Captures a nostalgic urban scene with classic cars & architecture. A unique archival print for art collectors.
A candid black and white photograph capturing the joyful stroll of Emmy Lou Packard and Diego Rivera on a busy 1940s San Francisco street, offering a rare glimpse into art history for your private collection.
Vintage black & white photo of a bustling 1930s city street by Unidentified Artist, Harper's Weekly. Capture urban life’s charm – a timeless piece for art collectors.
A striking black and white historical painting by Unidentified Artist capturing the solemn 1932 Constitutionalist Movement with powerful allegorical figures and monuments, inviting you to explore this piece of history.
A solemn painting of the Mausoleum for Campineiro Volunteers captures a monumental tribute to fallen heroes through detailed statues and columns, an evocative piece from 1935 by Harper's Weekly available for your collection.