Francis Bacon, Dramatic - Artworks (Page 3)

Showing 24 artworks out of 77 with Francis Bacon and with Dramatic

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Francis Bacon

Self Portrait, 1930

Explore Francis Bacon’s haunting self-portrait—a visceral expressionist masterpiece capturing profound sorrow and psychological torment. Painted in the 1930s, this unsettling depiction embodies the artist's signature style and invites contemplation of human vulnerability.

Francis Bacon

Gouache, 1929

Francis Bacon (1909-1992) was a British painter known for his emotionally charged figurative works characterized by distorted forms and existential themes. Despite lacking formal training, he developed a distinctive style influenced by diverse sources, cementing his place as a pivotal figure in modern art.

Francis Bacon

Portrait Of George Dyer Crouching

Portrait of George Dyer Crouching - This painting by Francis Bacon depicts a man seated within a large bowl, surrounded by chairs and a cup, capturing the artist's signature visceral emotional intensity.

Francis Bacon

Version Two Of Lying Figure With Hypodermic Syringe

Version No. 2 of Lying Figure with Hypodermic Syringe is a 1968 oil-on-canvas painting by Francis Bacon, depicting Henrietta Moraes reclining on a bed alongside a syringe – the second panel in a series exploring vulnerability and decay. Known for its stark imagery and visceral emotion.

Francis Bacon

Reclining Figure, 1959

This haunting depiction by Francis Bacon captures profound anguish and vulnerability through a reclining nude figure against a stark green backdrop. Exploring themes of pain and displacement, it exemplifies Bacon's distinctive style—a visceral reaction to the human condition.

Francis Bacon

Three Figures, One With Shotgun, 1980

The painting depicts three men seated in a room, one holding a shotgun. The scene conveys a sense of unease and psychological tension characteristic of Bacon's style.

Francis Bacon

Three Studies Of Figures On Beds, 1972 Center

Francis Bacon was born in Dublin, Ireland, and developed a unique artistic style characterized by visceral emotion and unsettling imagery. He rejected formal training and absorbed influences from various artists.

Francis Bacon

1944

Second Version Of Triptych 2

Francis Bacon’s unsettling expressionist depiction captures a bird perched atop a chair—a poignant symbol of vulnerability and joy amidst the bleakness of postwar Britain. Explore this iconic piece and bring its visceral artistry into your home.

Francis Bacon

Study For A Portrait Of Van Gogh V, 1957 X

Francis Bacon’s "Study for Portrait of Van Gogh V" – a dynamic, expressive oil painting bursting with red hues & gestural brushstrokes. Explore its layered texture & emotional intensity.

Francis Bacon

Three Studies For Portrait Of Isabel Rawsthorne, 1968 B

Francis Bacon

1969

Study For Bullfight No.1, Second Version,

“Second Version of Study for Bullfight No. 1” was created in 1969 by Francis Bacon in Expressionism style. Find more prominent pieces of genre painting at WikiArt.org – best visual art database. sitename: www.wikiart.org date: 2024-03-27 tags: ['animals', 'bulls', 'bullfighting'] ### Second Version of Study for

Francis Bacon

Study For Portrait On Folding Bed 1

Francis Bacon

Woman Emptying A Bowl Of Water And Paralytic Child On

Francis Bacon

Study For A Nude

Francis Bacon

1962

Study For A Portrait [looking Right],

Francis Bacon’s haunting Study for a Portrait captures a moment of profound stillness amidst unsettling distortion—a masterful depiction from the mid-century British Expressionist movement inviting viewers to contemplate beauty and terror simultaneously.

Francis Bacon

1981

Tript. Insp. By The Oresteia Of Aeschylus, Left

Tript. Insp. By The Oresteia Of Aeschylus, Left - Francis Bacon Painting Analysis The painting depicts a grotesque creature with an open mouth and two eyes, positioned beside a doorway featuring a hole. Francis Bacon (1909-1992), born in Dublin, Ireland, was a British painter known for his visceral depictions of human emotion and psychological torment. Influenced by Surrealism and Expressionism,

Francis Bacon

Man At Washbasin

The painting depicts a naked man standing before a sink with his back turned to the viewer, embodying themes of vulnerability and isolation through expressive brushstrokes and bold colors.

Francis Bacon

1970

Two Studies For A Self-portrait, Right Panel

Francis Bacon’s haunting Two Studies for a Self-Portrait captures the unsettling stillness of sleep amidst grotesque clown noses and fabric masks—a visceral exploration of psychological torment emblematic of his Expressionist style and British postwar era.

Francis Bacon

1980

3 Studies For A Portrait Of Peter Beard, Left Pa

Francis Bacon’s unsettling portrait studies capture raw emotion through distorted figures against vibrant greens—a masterful depiction of vulnerability and psychological depth from the artist during his British period.

Francis Bacon

Landscape After Van Gogh, 1952

Explore Francis Bacon's haunting landscape reimagining—a visceral depiction of solitude and movement inspired by Van Gogh’s style during the postwar era. Capture the raw emotion of this iconic piece and bring its timeless beauty into your home.

Francis Bacon

Seated Figure 2

“Seated Figure” by Francis Bacon (1961) explores themes of vulnerability and psychological torment through visceral imagery—a man seated on a stool with an open mouth against a brick wall backdrop—captured in Tate Britain’s Modern and Contemporary British Art collection.

Francis Bacon

Sweeney Agonistes

Francis Bacon’s visceral ‘Sweeney Agonistes,’ inspired by Eliot's poem, plunges viewers into existential horror with grotesque figures and jarring colors—a cornerstone of Expressionism reflecting trauma and decay.

Francis Bacon

Three Studies For Portrait Of Isabel Rawsthorne, 1968 C

Francis Bacon’s unsettling portrait studies capture visceral emotion through distorted figures against stark white backgrounds—a hallmark of his expressive style during the 1960s. Explore this iconic piece and bring Bacon's haunting vision into your home.

Francis Bacon

1985

Study For Self-portrait, Right

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