Showing 7 artworks with Francis Bacon and with Surrealism Surrealism
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Francis Bacon
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Surrealism
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Three Studies for Self-Portrait, 1980, Center Panel - This iconic piece by Francis Bacon showcases an unsettlingly realistic depiction of a man's face—a haunting exploration of identity and emotion characterized by exaggerated features and a striking blue background.
The image depicts a man's face against a stark red backdrop, characterized by distorted features and exaggerated expressions—a disconcerting portrayal reflecting Bacon’s exploration of psychological torment.
Study for a Pope IV - Francis Bacon A haunting depiction of mortality and psychological torment, this study captures the essence of Bacon's signature style – grotesque figures juxtaposed against stark backgrounds. The painting portrays a man with a skeleton face seated in a chair, embodying themes of decay and existential dread. Its unsettling imagery reflects Bacon’s preoccupation with human vul
The painting depicts a man and a dog intertwined on a metal grate, embodying Bacon's exploration of vulnerability and confinement amidst a dark backdrop.
The painting depicts a solitary man seated on a bench, his head bowed, with a cigarette dangling from his lips—a poignant portrayal of introspection and melancholy rendered in stark black and white.
Study of Red Pope Second Version - Francis Bacon The painting depicts a man seated in a chair with his hands on his chest, wearing a red robe. Another figure stands beside him. A dark and unsettling atmosphere dominates the dimly lit room.
“Seated Figure” by Francis Bacon (1961) explores themes of vulnerability and psychological torment through visceral imagery—a man seated on a stool with an open mouth against a brick wall backdrop—captured in Tate Britain’s Modern and Contemporary British Art collection.