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Showing 24 artworks out of more than 240+ with Giovanni Battista Piranesi

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Ruins Of A Gallery Of Statues In Hadrian`s Villa At Tivoli — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
Ruins Of A Gallery Of Statues In Hadrian`s Villa At Tivoli

Explore 'Ruins of a Gallery of Statues' by Piranesi – a stunning 1756 etching showcasing Roman ruins & Neoclassical beauty. A captivating art piece for collectors.

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Prisoners On A Projecting Platform — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1749
Prisoners On A Projecting Platform

Explore Giovanni Battista Piranesi's 'Prisoners on a Projecting Platform,' a haunting etching of confinement and grandeur. Witness masterful perspective, intricate detail, and a dramatic exploration of space and human insignificance.

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Idealized Reconstruction Of The Circus Maximus — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Idealized Reconstruction Of The Circus Maximus

Explore Giovanni Battista Piranesi's 'Idealized Reconstruction of the Circus Maximus,' a captivating black & white drawing showcasing ancient Rome’s grandeur and architectural fantasy.

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Bust Of Old Man — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Bust Of Old Man
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Plan Of Rome And Campo Marzio — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Plan Of Rome And Campo Marzio

Explore Piranesi's intricate etching of the Plan of Rome, capturing monumental architectural detail with dramatic historical flair; own a piece of this masterful 18th-century vision.

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The Roman Antiquities, T. 2, Plate Xlii. Interior View Of One Of The Three Rooms Before Burial. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xlii. Interior View Of One Of The Three Rooms Before Burial.
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The Roman Antiquities, T. 2, Plate Xxiii. Remains Of The Great Building Burial Added To The Mausoleum Of Constance. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xxiii. Remains Of The Great Building Burial Added To The Mausoleum Of Constance.
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The Roman Antiquities, T. 3, Plate Xxvi. View In Perspective Of A Previous Goal Of The Burial Chamber (drawing By Antonio Buonamici, Inc. By Girolamo Rossi). — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xxvi. View In Perspective Of A Previous Goal Of The Burial Chamber (drawing By Antonio Buonamici, Inc. By Girolamo Rossi).

Explore Giovanni Battista Piranesi’s ‘The Roman Antiquities’. A stunning black & white engraving of a vast subterranean complex, showcasing Baroque architecture & Roman relics.

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The Roman Antiquities, T. 4, Plate Xi. View Of The Underground Foundation Of The Mausoleum Of Adrian`s Helium. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 4, Plate Xi. View Of The Underground Foundation Of The Mausoleum Of Adrian`s Helium.
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The Roman Antiquities, T. 1, Plate Xxxvi. Veduta With Ruins Of The Peristyle House Of Nero. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate Xxxvi. Veduta With Ruins Of The Peristyle House Of Nero.
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The Roman Antiquities, T. 3, Plate Xv. View Of A Large Boulder, A Relic Of The Tomb Of The Family? Metelli On The Appian Way About Five Miles From The Porta S. Sebastian, In The Hamlet Of S. Maria Nuova, Etc. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xv. View Of A Large Boulder, A Relic Of The Tomb Of The Family? Metelli On The Appian Way About Five Miles From The Porta S. Sebastian, In The Hamlet Of S. Maria Nuova, Etc.
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Round Tower — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1749
Round Tower

A hauntingly atmospheric black and white architectural drawing of a Gothic-inspired Round Tower by Giovanni Battista Piranesi from 1749 captures the grandeur of historical ruins, inviting you to explore this timeless masterpiece.

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The Roman Antiquities, T. 3, Plate Xxxix. Interior View Of The Room Adjacent To The Burial Chambers Above. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xxxix. Interior View Of The Room Adjacent To The Burial Chambers Above.
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The Roman Antiquities, T. 1, Plate Xxiv. Nero`s Aqueduct. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate Xxiv. Nero`s Aqueduct.
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The Roman Antiquities, T. 2, Plate Xlix. Inscriptions And Fragments Of The Burial Chambers Of The Villa De `five. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 2, Plate Xlix. Inscriptions And Fragments Of The Burial Chambers Of The Villa De `five.
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The Roman Antiquities, T. 3, Plate Xxiii. Cutaway View Of The Previous Burial Chambers. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 3, Plate Xxiii. Cutaway View Of The Previous Burial Chambers.
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The Roman Antiquities, T. 1, Plate Xiv. Pantheon. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 1, Plate Xiv. Pantheon.
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The Tomb Of The Istacidi, Pompeii — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1777
The Tomb Of The Istacidi, Pompeii

Explore Piranesi's haunting 'Tomb of the Istacidi,' a captivating black & white drawing depicting Roman life frozen in time, showcasing Pompeii’s ancient beauty and evoking a sense of mystery.

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The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xxxix. Plan And Section Of The Three Rooms Of The Family Of Augustus Believed Burial.

Giovanni Battista Piranesi’s engraving depicts the ruined Temple of Titus, a monumental Roman antiquity. Explore its detailed plan & section in this 1756 masterpiece.

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The Roman Antiquities, T. 2, Plate Lv. Plan And The Existing Fragments Of The Burial Chamber In The Vineyard Gate S. Casali Sebastiano. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

The Roman Antiquities, T. 2, Plate Lv. Plan And The Existing Fragments Of The Burial Chamber In The Vineyard Gate S. Casali Sebastiano.
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Perspective Of New Square In Padua — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Perspective Of New Square In Padua

Explore Giovanni Battista Piranesi's masterful etching of Padua’s New Square—a breathtaking panorama rendered with intricate line work and perspective, capturing the grandeur of classical architecture.

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Perspective Of New Square In Padua — Giovanni Battista Piranesi

Giovanni Battista Piranesi

Perspective Of New Square In Padua

Explore Giovanni Battista Piranesi's masterful etching of Padua’s New Square – a breathtaking panorama showcasing architectural precision and dramatic perspective within a serene monochrome landscape.

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The Roman Antiquities, T. 2, Plate Xiii. Ornaments In Stucco, Existing In The Time Of The Burial Chamber Of L. Arrunzio. — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Roman Antiquities, T. 2, Plate Xiii. Ornaments In Stucco, Existing In The Time Of The Burial Chamber Of L. Arrunzio.
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The Ponte Solario — Giovanni Battista Piranesi

Giovanni Battista Piranesi

1756
The Ponte Solario

Explore Giovanni Battista Piranesi's 'The Ponte Solario,' a haunting 1756 etching of decaying Roman ruins and a solitary figure amidst timeless beauty. Discover the artistry & atmosphere of a master landscape.

$19.90
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