Showing 4 artworks with 1847 and with Amon Carter Museum Of American Art
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1847
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Amon Carter Museum Of American Art
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- Putty
- Rosy Brown
- American Art
- Standing Bear
- Audubon
- Alamo Church
- 1847
- Sepia Palette
- Alamo Ruins
- Victorian Era
- Forest
- Historic Ruins
- John Woodhouse Audubon
- Sitting Bear
- Columbian
- Black-Tailed Deer
- Interior View Alamo
- 19Th Century Nature
- Gothic Revival
- Fine Art Reproduction
- Religious Art
- 19Th Century Scene
- Church Landscape
- Painting
- Wildlife Art
- Church Architecture
- Hale Artwork
- John James Audubon
- Birds
- Architectural Decay
- Edward Everett Hale
- Nature
- Wildlife Painting
- Americana Art
- Historic Painting
- Earth Tones
- Hand Painted
- Deer
- Detailed Masonry
- Romantic Painting
- Realistic Wildlife
- Grassland
- Forest Scene
- Baroque Style
- Cinnamon Bears
- Natural Habitat
- Animal
A stunning hand-painted depiction of two Columbian Black-Tailed Deer by John James Audubon (1847). A beautiful wildlife art reproduction capturing the grace and detail of these iconic North American animals.
A breathtaking 1847 watercolor by John Woodhouse Audubon capturing the majestic presence of cinnamon bears in their natural habitat, offering a rare window into nineteenth-century wildlife artistry for your collection.
Admire 'Interior View of the Church of the Alamo' by Edward Everett Hale – a captivating Romantic painting capturing the solemn beauty of an old church. Explore high-quality art reproductions and discover more about Hale’s legacy.
The hauntingly detailed earth-toned ruins of the Alamo church captured by Edward Everett Hale in 1847 evoke a profound sense of history and age, inviting you to explore this evocative piece of American heritage.