Horizontals and Verticals
Abstract Expressionism
1955
Modern
76.0 x 102.0 cm
The Robert McLaughlin Gallery
A Symphony of Form: Reimagining Hortense Mattice Gordon’s Abstract Vision
In the realm of mid-century Canadian abstraction, few works capture the rhythmic tension between structure and spontaneity as effectively as Horizontals and Verticals. Painted in 1955, this masterpiece by Hortense Mattice Gordon serves as a vibrant testament to the era's shift toward non-objective expression. At first glance, the eye is drawn into a kaleidoscopic dance of shapes where the boundaries between recognizable objects and pure abstraction begin to dissolve. The composition is anchored by a central, guitar-like silhouette, a motif that suggests a melodic resonance within the visual field. This central figure acts as a conductor for the surrounding elements, orchestrating a movement of arrows, avian silhouettes, and geometric fragments that seem to float in a state of perpetual motion.
The technique employed by Gordon reflects the profound influence of Abstract Expressionism and the teachings of Hans Hofmann, which permeated her later, more liberated works. Through a masterful use of color and layered shapes, she creates a sense of depth that transcends the flat surface of the canvas. The interplay of lines—the very "horizontals and verticals" promised by the title—creates a structural grid that paradoxically feels fluid and organic. Each brushstroke and shape placement contributes to a dynamic energy, where an arrow pointing toward a bird or a sudden burst of color serves to guide the viewer’s gaze through a labyrinth of visual delights. For the discerning collector, this piece offers more than just aesthetic beauty; it provides a window into the technical evolution of a pioneer who helped redefine the Canadian artistic landscape.
Historical Resonance and Emotional Depth
To understand Horizontals and Verticals, one must consider Gordon’s journey from a dedicated art educator to a founding member of the prestigious Painters Eleven. This painting represents the zenith of her transition from representational landscapes to the bold, non-objective language that would define her legacy. There is an inherent emotional complexity within the work; it captures the post-war era's spirit of exploration and the breaking of traditional boundaries. The presence of symbolic elements, such as the bird and the directional arrows, evokes themes of navigation, freedom, and the search for order within chaos.
For interior designers and art enthusiasts seeking to infuse a space with intellectual vigor and warmth, this artwork offers unparalleled versatility. Its colorful palette and energetic composition make it a commanding focal point in modern, minimalist, or contemporary settings. A high-quality reproduction of this piece allows the light and movement of Gordon's vision to inhabit a room, inviting conversation and contemplation. It is not merely a decoration but an invitation to experience the rhythmic pulse of 20th-century abstraction, bringing the sophisticated legacy of Canadian modernism into the heart of the contemporary home.
hortense mattice gordon (1886 – 1961)
Discover Hortense Mattice Gordon (1886-1961), a pioneering Canadian abstract artist & founding member of Painters Eleven. Explore her journey from landscapes to bold non-objective paintings, influenced by Abstract Expressionism and Hans Hofmann. #abs
The Robert McLaughlin Gallery (Oshawa, Canada)
Explore Canadian art at The Robert McLaughlin Gallery in Oshawa! Discover over 4,500 works including the largest collection of Painters Eleven and experience inspiring exhibitions.
About this artwork
- Title: Horizontals and Verticals
- Artist: hortense mattice gordon
- Year: 1955
- Original dimensions: 76.0 x 102.0 cm
- Format: Landscape
- Copyright status: Under copyright
- Where to see it: The Robert McLaughlin Gallery
- Movement: Abstract Expressionism
- Corpus context: non-objective painting evolution , hans hofmann influence
- Purpose: Focal