Wind Sculpture III (one in a series of nine)
Sculpture
Sculpture
Contemporary Hybrid
Contemporary
610.0 x 110.0 cm
Expo 2020 Dubai
Yinka Shonibare MBE (1962 –)
Explore Yinka Shonibare MBE's captivating art: sculptures & film challenging colonialism, identity & globalization with vibrant Ankara fabrics. Venice Biennale artist.
Expo 2020 Dubai (Dubai, United Arab Emirates)
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A Dance with Heritage: Deconstructing Identity in Yinka Shonibare’s “Wind Sculpture III”
Yinka Shonibare CBE's "Wind Sculpture III," a monumental kite-like structure dominating the grassy expanse of its setting, is far more than just a striking visual element. It’s a potent meditation on colonialism, cultural hybridity, and the enduring complexities of identity – a conversation woven through vibrant fabrics and meticulously crafted form. Measuring an impressive 610 x 110 cm, this piece immediately commands attention, inviting viewers to step into a world where historical narratives collide with contemporary concerns.
The sculpture’s genesis lies in Shonibare's own lived experience: born in London to Nigerian parents, his early years spent navigating the cultural currents of Lagos before returning to Britain. This dual heritage – a potent blend of African and European influences – forms the bedrock of his artistic practice. “Wind Sculpture III” isn’t simply an aesthetic statement; it’s a deliberate exploration of the ‘double consciousness’ articulated by W.E.B. Du Bois, a concept describing the internal conflict experienced by individuals belonging to two distinct racial groups. The kite itself becomes a metaphor for this fractured identity – simultaneously rooted in tradition and adrift in a globalized world.
The Language of Ankara: Technique and Symbolism
Shonibare’s signature technique—the extensive use of brightly colored Ankara wax print fabric—is central to the sculpture's impact. This West African textile, traditionally used for clothing, is meticulously applied to create a dazzling, layered surface. The bold blues and reds, reminiscent of Dutch Delftware (a historical connection reflecting Shonibare’s own research into colonial trade routes), are not merely decorative; they carry significant symbolic weight. Ankara fabric, often associated with resistance and cultural pride in West Africa, represents a reclaiming of heritage against the backdrop of European colonialism.
The kite's design is deliberately asymmetrical, its flowing lines suggesting movement and instability. This mirrors the feeling of navigating multiple identities – constantly shifting between cultures and experiences. The intricate patterns within the fabric are not random; they’re often inspired by historical textiles and motifs, subtly referencing a rich tapestry of African artistic traditions. The sheer scale of the sculpture further amplifies this effect, creating an immersive experience that draws the viewer into its complex narrative.
A Historical Echo: Colonial Trade Routes and Artistic Appropriation
Shonibare’s work is deeply rooted in historical research, particularly concerning the transatlantic slave trade and the subsequent exchange of goods between Europe and Africa. The use of Ankara fabric, a product of Dutch colonial influence on West African textile production, highlights this intricate network of trade and cultural appropriation. He deliberately employs Western artistic conventions – the kite form itself – to subvert them with African materials and imagery, creating a powerful commentary on power dynamics and the ongoing legacy of colonialism.
The sculpture’s placement within a grassy field evokes images of open skies and freedom, yet it's framed by a subtle awareness of historical constraints. It’s a poignant reminder that even in moments of apparent openness, the echoes of the past continue to resonate. Shonibare masterfully utilizes this juxtaposition to provoke reflection on how history shapes our present realities.
Emotional Resonance and Contemporary Relevance
"Wind Sculpture III" is not merely an aesthetically pleasing object; it’s a deeply emotive work that speaks to universal themes of belonging, identity, and cultural exchange. The sculpture's vibrant colors and dynamic form generate a sense of movement and energy, inviting viewers to contemplate their own place within the global landscape. Its enduring appeal lies in its ability to spark dialogue about complex social issues while simultaneously celebrating the beauty and richness of diverse cultures.
As a reproduction, “Wind Sculpture III” offers a remarkable opportunity to bring Shonibare’s powerful vision into any space. Its scale and intricate detail are faithfully captured, allowing viewers to experience the full impact of this extraordinary artwork – a testament to the enduring power of art to challenge, provoke, and inspire.
About this artwork
- Title: Wind Sculpture III (one in a series of nine)
- Artist: Yinka Shonibare MBE
- Original dimensions: 610.0 x 110.0 cm
- Format: Portrait
- Copyright status: Under copyright
- Where to see it: Expo 2020 Dubai
- Movement: Contemporary Hybrid
- Creative period: Post-Colonial Hybrid
- Corpus context: british history , visual storytelling
- Main color: Celadon
Quick Facts
- Artist: Yinka Shonibare CBE
- Location: Private Collection
- Notable elements: Ankara fabric design
- Subject or theme: Cultural identity
- Dimensions: 610 x 110 cm
- Medium: Fibreglass & paint
- Artistic style: Sculptural installation