period

movement

1. Lamentation over the Dead Christ — Bernardo Strozzi, 1615
2. Dead Christ Supported by Two Angels — Paolo Veronese, 1587
3. The Trinity with the Dead Christ — ludovico carracci, 1590
4. Christ Resurrected — Peter Paul Rubens, 1616
5. The Dead Christ Supported by an Angel — alonzo cano, 1646
6. The Dead Christ mourned by Two Angels — Guercino
7. Job mocked by his wife. — Gaspare Traversi
8. The Dead Christ Mourned — Annibale Carracci
9. Lamentation over the Dead Christ — Paolo Veronese, 1547
10. Figure of Christ — Abraham de Vries, 1600
11. Christ blessing — Francisco de Zurbarán

vibe

topics

1. Dead Christ Supported by Two Angels — Paolo Veronese, 1587
2. The Trinity with the Dead Christ — ludovico carracci, 1590
3. The Dead Christ mourned by Two Angels — Guercino
4. The Dead Christ Mourned — Annibale Carracci

keywords

tone

main color

1. The Dead Christ — Vittore Carpaccio, 1520
2. Altar of Recanati polyptych, crowning the main board: Angel Pietà — Lorenzo Lotto, 1508
3. Sacrifice of Isaac — cecco del caravaggio (francesco buoneri), 1602
4. Recanati Polyptych: Pietà — Lorenzo Lotto, 1508
5. Lamentation over the Dead Christ — Bernardo Strozzi, 1615
6. The Dead Christ — Philippe de Champaigne
7. Christ and the Christian Soul — Diego Velázquez
8. The Entombment — Caravaggio, 1602
9. Christ blessing — Francisco de Zurbarán
10. The Entombment of Christ — Luca Giordano, 1655
11. UN ANGE MONTRE A SAINT FRANCOIS D'ASSISE LE CHRIST DETACHE DE LA CROIX — Alessandro Allori
12. The Dead Christ Mourned — Annibale Carracci
13. La déposition du Christ — josé de ribera (spagnoletto)
14. The Dead Christ Supported by an Angel — alonzo cano, 1646
15. The Trinity with the Dead Christ — ludovico carracci, 1590
16. Lamentation over the Dead Christ — Paolo Veronese, 1547
17. The Dead Christ mourned by Two Angels — Guercino
18. Entombment of Christ — cecco del caravaggio (francesco buoneri), 1603

other

1. The Sacrifice Of Abraham — Cristofano Allori
2. The Christ Child, Saint John and the Lamb — Peter Paul Rubens, 1620