period

1. Two Piece Sculpture No. 7; Pipe — Henry Moore
2. Ford Motor Company Medal (obverse) — Anthony de Francisci, 1928
3. Liberty, Justice, Peace Obverse — jules prosper joseph marie legastelois, 1917

movement

1. Ford Motor Company Medal (obverse) — Anthony de Francisci, 1928

vibe

1. Ford Motor Company Medal (obverse) — Anthony de Francisci, 1928
2. Liberty, Justice, Peace Obverse — jules prosper joseph marie legastelois, 1917

topics

1. Elbert H. Gary, United States Steel Corporation Service Medal (obverse) — Anthony de Francisci, 1926
2. Ford Motor Company Medal (obverse) — Anthony de Francisci, 1928
3. Liberty, Justice, Peace Obverse — jules prosper joseph marie legastelois, 1917

keywords

1. Ford Motor Company Medal (obverse) — Anthony de Francisci, 1928

tone

main color

1. Two Piece Sculpture No. 7; Pipe — Henry Moore
2. Joseph Pennell — John Flanagan, 1919
3. The high carry — Frank Weston Benson
4. The Summer (Torso) — Aristide Maillol, 1911
5. Ford Motor Company Medal (obverse) — Anthony de Francisci, 1928
6. Pugile — Marino Marini
7. The age of bronze — Auguste Rodin, 1876
8. James Douglas Award for Achievement in Non ferrous Metallurgy (obverse) — Anthony de Francisci, 1922
9. James Van De Wyngaard Medal (obverse) — Anthony de Francisci, 1935
10. Henry Doherty Morrey — Anthony de Francisci, 1918

other

1. Winchester Repeating Arms Company Medal (obverse) — Anthony de Francisci, 1935
2. Pregnant Woman — Edgar Degas, 1998
3. Elbert H. Gary, United States Steel Corporation Service Medal (reverse) — Anthony de Francisci, 1926
4. Horace Vaughan Winchell Medal (obverse) — Anthony de Francisci, 1930
5. The Age of Bronze — Auguste Rodin, 1876
6. Buste de Charles Garnier — Jean-Baptiste Carpeaux
7. Toll Gate — Anna Vaughn Hyatt Huntington, 1966
8. Lamia — sir george james frampton, 1900
9. Sir Douglas Alexander — Paul Manship, 1945
10. The Age of Bronze — Auguste Rodin, 1876
11. Untitled (107) — Aristide Maillol
12. Omar N. Bradley Medal Distinguished Service Award (design for obverse) — joseph emile renier, 1950