period

1. June 1937 (painting) — Ben Nicholson OM, 1937
2. Number — Jasper Johns

movement

1. June 1937 (painting) — Ben Nicholson OM, 1937
2. 1946 (cerulean abstraction) — Ben Nicholson OM, 1946

vibe

1. 1927 (Winifred and Jake) — Ben Nicholson OM, 1928
2. June 1937 (painting) — Ben Nicholson OM, 1937
3. 1946 (cerulean abstraction) — Ben Nicholson OM, 1946
4. Abstract — Sofiane Pamart, 2005

topics

1. 1946 (window in Cornwall) — Ben Nicholson OM, 1946

keywords

tone

1. Landscape with Yellow Fields — sir william george gillies
2. June 1937 (painting) — Ben Nicholson OM, 1937
3. 1946 (cerulean abstraction) — Ben Nicholson OM, 1946

main color

1. 1969 (Holkham Sands No. 1) — Ben Nicholson OM, 1969
2. June 1937 (painting) — Ben Nicholson OM, 1937
3. Number — Jasper Johns
4. 1934 (relief) — Ben Nicholson OM, 1934
5. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977
6. Tal y Llyn ( ) — Margaret Sidney Davies
7. 1946 (cerulean abstraction) — Ben Nicholson OM, 1946
8. View of the Isle of Wight from Freshwater Bay, Looking South East — frederick cuming, 1990
9. Landscape with Yellow Fields — sir william george gillies
10. Vernet — James Dickson Innes
11. 1940 (Cornish Landscape) — Ben Nicholson OM, 1940
12. Pine Tree 2 — susan hawker
13. The Pond at Souldern — Paul Nash, 1926

other

1. Tuscany Hill — wilma dunbar, 1993
2. Autumn Road — John Kyffin Williams, 1960
3. Abstract Painting 780-1 — Gerhard Richter, 1992
4. Prints from Private Collections — lloyd mcneill, 1969
5. Untitled print sleeve with woodblock print — Chiura Obata, 1930
6. 1928 (three mugs and a bowl) — Ben Nicholson OM, 1928
7. c.1930 (Cornish port) — Ben Nicholson OM, 1928
8. Shore Scene, West Highlands — sir william george gillies, 1937