period
movement
- Curtain
- View in Tula, a sketch for E. Zamyatin's play, 'The Flea'
- Ferenc Raichle palace in Subotica, Serbia
- Ferenc Raichle palace in Subotica, Serbia
- Sketch of the comedy tale Marshak 'Woe to fear - happiness can not see". Royal chambers
- Building of the Secession, Sketch for the second draft
- Sketch for the Opera, The Golden Cockerel, by Nikolai Rimsky-Korsakov
vibe
keywords
tone
main color
- Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)
- Sketch for the Opera, The Golden Cockerel, by Nikolai Rimsky-Korsakov
- Sketch of the comedy tale Marshak 'Woe to fear - happiness can not see". Royal chambers
- Cursory sketch 2
- Scene design for ''Pulcinella''
- View in Tula, a sketch for E. Zamyatin's play, 'The Flea'
- Sketch 31
- The House of Savely Magara
- Sketch 82
- Sketch 160
- Petersburg. Palace
- Sketch of yurts
- Death to the Invader
- Guitarist. A Sketch.
- A History of Medicine
- Landscape sketch 12
- Indian Fantasy
- Curtain
- Ferenc Raichle palace in Subotica, Serbia
- Petersburg. Palace
- Untitled sketch of figures playing violin
- Pre-Hispanic America (Book cover for Pablo Neruda's Canto General)
- Building of the Secession, Sketch for the second draft
- Ferenc Raichle palace in Subotica, Serbia