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period

movement

vibe

  1. Path between Pine Trees — vincent willem van gogh, 1889
  2. A Weather-Beaten Pine Tree — vincent willem van gogh, 1889
  3. Birds and flowers in a landscape — tosatsu, hagetsu, 1575
  4. Cranes On A Snow-covered Pine Tree — Katsushika Hokusai
  5. Cranes on pine tree — Katsushika Hokusai

topics

keywords

tone

  1. Path between Pine Trees — vincent willem van gogh, 1889
  2. Symphony in White Number 1, The White Girl — James Abbott McNeill Whistler
  3. Birds and flowers in a landscape — tosatsu, hagetsu, 1575
  4. Cranes on pine tree — Katsushika Hokusai

main color

  1. Birds and flowers in a landscape — tosatsu, hagetsu, 1575
  2. Mandarin ducks and cotton rose hibiscus — liu chi or lü chi or lü ki, 401
  3. Birds and Flowers — song ziyan, 701
  4. Pine Tree from Album of the Four Friends with Calligraphy and Painting — qianlong emperor, 1912
  5. Pine Trees in Front of the Wall of the Asylum 4 — vincent willem van gogh, 1889
  6. Waxwings, Cherry Blossoms, and Bamboo — kiyohara yukinobu, 601
  7. Woman and Child under a Cherry Tree — utagawa toyohiro, 801
  8. Egrets and Cotton Roses — Tosa Mitsuoki, 601
  9. Rabbit and Roses — mori ransai, 701
  10. Path between Pine Trees — vincent willem van gogh, 1889
  11. Quail and Autumn Flowers — Tosa Mitsuoki, 601
  12. The Third Princess and a Cat, from the "New Herbs I" (Wakana I) chapter The Tale of Genji (Genji monogatari} — matsuno chikanobu, 701
  13. Cranes, peach tree, and China rose — shen quan, 701
  14. Cranes on pine tree — Katsushika Hokusai
  15. White silk dress dyed with tiger, butterflies and waves(detail) — mori hanae, 2004
  16. Poem by Onakatomi Yoshinobu with Underpainting of Hollyhocks — shōjō shōkadō, 601
  17. Pine Trees near the Wall of the Asylum — vincent willem van gogh, 1889
  18. Maki (Chinese black pine) and maple trees — aleksei mikhailovich korin, 1700
  19. Symphony in White Number 1, The White Girl — James Abbott McNeill Whistler
  20. Contemporary influence on Kilim products — avul pakir jainulabdeen abdul kalam, 2017