period

movement

1. Satyr playing flute — Jacob Jordaens, 1640
2. Emperor Francis I — Martin van Meytens, 1750
3. Portrait of Philip II — Titian Ramsay Peale II, 1553
4. Don Baltasar Carlos — Diego Velázquez, 1640
5. Sts Peter and Paul — reni guido (le guide)
6. Portrait of a Gentleman — Sir Anthony van Dyck
7. Bathsheba Bathing — Francesco Solimena, 1725
8. Louis 14th — Pierre Mignard, 1660
9. Diana and Callisto — Sebastiano Ricci, 1712
10. Prince Balthasar Carlos — Diego Velázquez, 1639

vibe

topics

1. Philipp II, as Prince — Titian Ramsay Peale II, 1551
2. Ritratto di Vittorio Amedeo I — Massimo Taparelli d'Azeglio, 1600
3. Emperor Francis I — Martin van Meytens, 1750
4. Portrait of Philip II — Titian Ramsay Peale II, 1553
5. Portrait of Philip II — Titian Ramsay Peale II, 1553
6. Louis 14th — Pierre Mignard, 1660

keywords

tone

main color

1. Portrait of Philip II — Titian, 1554
2. Dream of Aesculapius (detail) — Sebastiano Ricci, 1710
3. Diana and Callisto — Sebastiano Ricci, 1712
4. Prince Balthasar Carlos — Diego Velázquez, 1639
5. Portrait of a Gentleman — Sir Anthony van Dyck, 1624
6. Louis XIII as a Child — frans the younger pourbus, 1611
7. Sts Peter and Paul — reni guido (le guide)
8. Philip IV — pedro villafranca y malagón, 1632
9. Adoration of the Kings — Alessandro Turchi, 1600
10. Don Baltasar Carlos — Diego Velázquez, 1640
11. Emperor Francis I — Martin van Meytens, 1750
12. Philipp II, as Prince — Titian Ramsay Peale II, 1551
13. Satyr playing flute — Jacob Jordaens, 1640
14. Ritratto di Vittorio Amedeo I — Massimo Taparelli d'Azeglio, 1600
15. Portrait of a Gentleman — Sir Anthony van Dyck
16. PORTRAIT D'HOMME — jean françois de troy
17. Portrait of Philip II — Titian Ramsay Peale II, 1553
18. Baroque Church Façade with Obliquely Placed Towers. — johann philipp joseph friedrich kirnberger, 1760
19. Portrait of Philip II — Titian, 1553
20. Louis 14th — Pierre Mignard, 1660

other

1. Salon Scene — michel françois dandré bardon
2. The Christ Child, Saint John and the Lamb — Peter Paul Rubens, 1620