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1. Interior of the North Fort Showing the Chinese Encampment — Felice Beato, 1860
2. Exterior of North Fort Showing English Entrance — Felice Beato, 1860
3. Dale Creek Bridge, From Above — andrew joseph russell, 1867
4. Exterior Old Merensky Building — Universiteit Van Pretoria Museums, 2016
5. Woman holding a balance detalj 4 ngw — Johannes Vermeer
6. High Bridge crossing the Appomattox, near Farmville (on south side railroad, VA) — Timothy O'Sullivan Alexander Gardner, 1865
7. Ruins at Manassas Junction — Alexander Gardner, 1862
8. Appomattox Station, Virginia — Timothy O'Sullivan Alexander Gardner, 1865
9. The Secession Building in Vienna, Austria — Joseph Maria Olbrich
10. Discovery and Building — carol m highsmith, 2010
11. Louveira Building — João Batista Vilanova Artigas
12. Building of the Secession, Sketch for the second draft — Joseph Maria Olbrich, 1897
13. Monumental building with decorative panels, side and sketch of front of a building with towers — antonio sant'elia, 1912
14. Rebel Works in front of Atlanta, No. 2 from the album Photographic Views of Sherman's Campaign — George Grey Barnard, 1864
15. Building. art nouveau building at 18 Pikk, Tallinn, Estonia — jacques gustav-adolf rosenbaum-ehrenbush
16. Interior of the Angle of North Fort — Felice Beato, 1860
17. Rebel Works in front of Atlanta, No. 1 from the album Photographic Views of Sherman's Campaign — George Grey Barnard, 1864
18. The door of the Lavirotte Building at 29 Avenue Rapp in Paris, France — jules aimé lavirotte

other

1. Study of a Ruined Building — Sir Alfred James Munnings
2. Building. Secession Building in Vienna, Austria — Joseph Maria Olbrich
3. Pontoon Bridge Across the Rappahannock — Timothy O'Sullivan Alexander Gardner, 1863
4. Quarters of Men in Fort Sedgwick, Generally Known as Fort Hell — Timothy O'Sullivan Alexander Gardner, 1865
5. Chesterfield Bridge, North Anna, Virginia — Timothy O'Sullivan Alexander Gardner, 1864
6. East garden on the north – east side of building 4 and on the south – east side of building 3 — Michel Marot, 1972