period

1. Schynige plate — Ferdinand Hodler, 1909
2. The Wetterhorn — Ferdinand Hodler, 1912
3. Land — martiros sarian, 1969

movement

1. Landscape in Semmering with view of Rax — Koloman Moser, 1913
2. The Jungfrau Massif from Mürren — Ferdinand Hodler, 1911
3. The Wetterhorn — Ferdinand Hodler, 1912
4. Jungfrau and Silverhorn, as Seen from Murren — Ferdinand Hodler

vibe

1. The Dents du Midi from Chesieres — Ferdinand Hodler, 1912
2. The Jungfrau Massif from Mürren — Ferdinand Hodler, 1911
3. The Wetterhorn — Ferdinand Hodler, 1912

topics

1. Dents du Midi from Champéry — Ferdinand Hodler, 1916
2. White and Heavenly — Nicholas Roerich
3. Land — martiros sarian, 1969
4. The Dents du Midi from Chesieres — Ferdinand Hodler, 1912
5. Landscape in Semmering with view of Rax — Koloman Moser, 1913
6. The Wetterhorn — Ferdinand Hodler, 1912

keywords

tone

1. The Wetterhorn — Ferdinand Hodler, 1912

main color

1. Lake Geneva on the evening in Chexbres — Ferdinand Hodler, 1895
2. White and Heavenly — Nicholas Roerich
3. Schroon Mountain, Adirondacks, Essex County, New York, after a Storm — Thomas Cole, 1838
4. Lake Silvaplana in Autumn — Ferdinand Hodler, 1907
5. The Dents du Midi from Chesieres — Ferdinand Hodler, 1912
6. The Dents du Midi seen from Caux — Ferdinand Hodler
7. untitled (7409) — Ferdinand Hodler
8. Schynige plate — Ferdinand Hodler, 1909
9. The Salève seen from the Quai du Mont-Blanc — Ferdinand Hodler
10. The Grammont in the morning sun — Ferdinand Hodler, 1917
11. Landscape in Semmering with view of Rax — Koloman Moser, 1913
12. Grand Muveran — Ferdinand Hodler, 1912
13. Jungfrau and Silverhorn, as Seen from Murren — Ferdinand Hodler
14. The Wetterhorn — Ferdinand Hodler, 1912
15. Landscape at Caux with increasing clouds — Ferdinand Hodler, 1917
16. Berthe Hodler — Ferdinand Hodler
17. Land — martiros sarian, 1969
18. Figure study — Ferdinand Hodler, 1887

other

1. Self portrait — Ferdinand Hodler, 1916
2. Purple Hills — George Benjamin Luks
3. The Lady of the Isenfluh — Ferdinand Hodler, 1902
4. The Grammont — Ferdinand Hodler, 1906