period

movement

1. Study for a Nude — Francis Bacon
2. STUDIES FROM THE HUMAN BODY (triptych, left) — Francis Bacon, 1970
3. Three Studies for Figures at the Base of a Crucifixion — Francis Bacon, 1944
4. Study for Portrait of Isabel Rawsthorne 3 — Francis Bacon
5. August — Francis Bacon
6. Caryatid — Amedeo Clemente Modigliani, 1912

vibe

1. painting, 1950 — Francis Bacon
2. Study for a Nude — Francis Bacon
3. figure at a washbasin, 1976 — Francis Bacon
4. STUDIES FROM THE HUMAN BODY (triptych, left) — Francis Bacon, 1970
5. Three Studies for Figures at the Base of a Crucifixion — Francis Bacon, 1944
6. painting, 1946 — Francis Bacon, 1946
7. Study for Portrait of Isabel Rawsthorne 3 — Francis Bacon
8. August — Francis Bacon
9. Head-VI Arts council of Great Britain, London — Francis Bacon, 1949

topics

keywords

1. Head-VI Arts council of Great Britain, London — Francis Bacon, 1949
2. Study for a Nude — Francis Bacon

tone

1. painting, 1950 — Francis Bacon
2. STUDIES FROM THE HUMAN BODY (triptych, left) — Francis Bacon, 1970
3. Three Studies for Figures at the Base of a Crucifixion — Francis Bacon, 1944
4. August — Francis Bacon
5. Caryatid — Amedeo Clemente Modigliani, 1912

main color

1. Three Studies for Figures at the Base of a Crucifixion — Francis Bacon, 1944
2. painting, 1946 — Francis Bacon, 1946
3. Caryatid — Amedeo Clemente Modigliani, 1912
4. Head-VI Arts council of Great Britain, London — Francis Bacon, 1949
5. August — Francis Bacon
6. STUDIES FROM THE HUMAN BODY (triptych, left) — Francis Bacon, 1970
7. Study for Portrait of Isabel Rawsthorne 3 — Francis Bacon
8. Study for a Nude — Francis Bacon
9. figure at a washbasin, 1976 — Francis Bacon

other