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period

vibe

  1. Painting — Francis Bacon
  2. head surrounded by sides of beef — Francis Bacon
  3. Portrait of a Cardinal I — Francis Bacon
  4. Study for Portrait VII — Francis Bacon
  5. Henrietta Moraes 1 — Francis Bacon
  6. Study for Portrait of Isabel Rawsthorne 2 — Francis Bacon
  7. Study for Human Body — Francis Bacon
  8. study for portrait of henrietta moraes on a red ground, 1964 — Francis Bacon
  9. triptych, may - june, 1973 b — Francis Bacon
  10. Study after Velazquez II, Tony Shafrazi Gallery, — Francis Bacon, 1950
  11. Pope II — Francis Bacon
  12. Self-Portrait 5 — Francis Bacon
  13. Dog II, Moma NY — Francis Bacon, 1952
  14. Sphinx — Francis Bacon
  15. self portrait, 1976 — Francis Bacon
  16. three studies for a portrait, 1968 a — Francis Bacon
  17. Study for figure II — Francis Bacon
  18. Second Version of Triptych 1944 — Francis Bacon, 1988
  19. Study for Head of Cardinal with Glasses — Francis Bacon
  20. Study for Portrait I — Francis Bacon
  21. three studies of isabel rawsthorne, on single canvas, 1967 — Francis Bacon

topics

keywords

  1. Study for Portrait VII — Francis Bacon

tone

  1. Study for Portrait VII — Francis Bacon
  2. Study for figure II — Francis Bacon

main color

  1. Study for figure II — Francis Bacon
  2. Portrait of a Cardinal I — Francis Bacon
  3. Pope II — Francis Bacon
  4. Study for Portrait VII — Francis Bacon
  5. Self-Portrait 5 — Francis Bacon
  6. Study for Portrait I — Francis Bacon
  7. Sphinx — Francis Bacon
  8. triptych, may - june, 1973 b — Francis Bacon
  9. head surrounded by sides of beef — Francis Bacon
  10. Second Version of Triptych 1944 — Francis Bacon, 1988
  11. Study after Velazquez II, Tony Shafrazi Gallery, — Francis Bacon, 1950
  12. Dog II, Moma NY — Francis Bacon, 1952
  13. Study for Human Body — Francis Bacon
  14. three studies of isabel rawsthorne, on single canvas, 1967 — Francis Bacon

other

  1. Spanish Woman — Nathan Oliveira, 1964
  2. Self-portrait — Paul Jackson Pollock
  3. Grated ink: the ghost above the city — Krupa, 2015