period
movement
- study for a portrait of isabel rawsthorne, 1966 b
- three studies for self-portrait, 1974 right
- study for portrait of henrietta moraes on a red ground, 1964
- Two Studies for a Portrait of Richard Chopping, left
- three studies for self-portrait, 1974 center
- self-portrait, 1972 b
- three studies of isabel rawsthorne, on single canvas, 1967
vibe
- study for a portrait of isabel rawsthorne, 1966 b
- Henrietta Moraes 1
- Study for Human Body
- three studies for self-portrait, 1974 right
- Study for Three Heads, right panel,
- Study for Portrait of Isabel Rawsthorne 2
- Study for Landscape After Van Gogh
- study for portrait of henrietta moraes on a red ground, 1964
- three studies for a portrait of peter board, 1975 ii right
- three studies for self-portrait, 1974 left
- Study for Three Heads, center panel,
- study for self-portrait, 1982
- Two Studies for Self-Portrait, left
- Self-Portrait 5
- Study for Three Heads 2
- Two Studies for a Portrait of Richard Chopping, left
- Dog II, Moma NY
- three studies for self-portrait, 1974 center
- three studies for a portrait, 1968 a
- self-portrait, 1972 b
- Three Studies of Muriel Belcher 2
- three studies of isabel rawsthorne, on single canvas, 1967
topics
keywords
tone
main color
- Three Studies of Muriel Belcher 2
- three studies for a portrait of peter board, 1975 ii right
- Two Studies for Self-Portrait, left
- Self-Portrait 5
- study for self-portrait, 1982
- Study for Three Heads, center panel,
- Study for Three Heads 2
- Study for Landscape After Van Gogh
- three studies for self-portrait, 1974 right
- Two Studies for a Portrait of Richard Chopping, left
- three studies for self-portrait, 1974 center
- Study for Three Heads, right panel,
- study for a portrait of isabel rawsthorne, 1966 b
- study for head of isabel rawsthorne, 1967
- Dog II, Moma NY
- Study for Human Body
- three studies of isabel rawsthorne, on single canvas, 1967