period
- three studies for a crucifixion, 1962 (c)
- three studies form the human body 1967
- Henrietta Moraes 1
- Study for Human Body
- Study for Portrait of Isabel Rawsthorne 2
- Study for Landscape After Van Gogh
- three studies for a crucifixion, 1962 b
- Dog II, Moma NY
- Sphinx - Portrait of Muriel Belcher,
- figure in movement, 1985
- Study for 'Woman Undressing'
- three studies of isabel rawsthorne, on single canvas, 1967
movement
vibe
- three studies for a crucifixion, 1962 (c)
- three studies form the human body 1967
- Henrietta Moraes 1
- second version of triptych 3
- 3 Studies for a Portrait of John Edwards, left
- Study for a nude, Private
- Study for Human Body
- Study for Portrait of Isabel Rawsthorne 2
- Study for Landscape After Van Gogh
- triptych, may - june, 1973 b
- three studies for a crucifixion, 1962 b
- study for self-portrait, 1982
- Dog II, Moma NY
- Sphinx - Portrait of Muriel Belcher,
- figure in movement, 1985
- Tript. insp. by the Oresteia of Aeschylus, Right
- Figures in movement, Private
- three studies of isabel rawsthorne, on single canvas, 1967
topics
- three studies for a crucifixion, 1962 (c)
- three studies of isabel rawsthorne, on single canvas, 1967
- 3 Studies for a Portrait of John Edwards, left
- Study for a nude, Private
- triptych, may - june, 1973 b
- Sphinx - Portrait of Muriel Belcher,
- figure in movement, 1985
- three studies form the human body 1967
tone
main color
- three studies for a crucifixion, 1962 b
- 3 Studies for a Portrait of John Edwards, left
- Life of Saint Francis - [04] - Death and Ascension of St Francis
- After Michelangelo's 'Squatting Child'
- Fattipufs and Thinnifers
- Study for Portrait of Isabel Rawsthorne 2
- Tript. insp. by the Oresteia of Aeschylus, Right
- Sphinx - Portrait of Muriel Belcher,
- Henrietta Moraes 1
- three studies of isabel rawsthorne, on single canvas, 1967
- Figures in movement, Private
- Untitled 33
- Study for Human Body