period
movement
vibe
- Painting
- Portrait of George Dyer Crouching
- Henrietta Moraes 1
- Study for Portrait of Isabel Rawsthorne 2
- Study for Human Body
- study for portrait of henrietta moraes on a red ground, 1964
- triptych, may - june, 1973 b
- Landscape,
- Dog 3
- Dog i,
- figures in a street, 1983
- Self-Portrait 5
- Dog II, Moma NY
- self portrait, 1976
- study from the human body, 1987
- head i, 1949
- three studies for a portrait, 1968 a
- Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
- Blood on the Floor,
- Study of a Dog
- Second Version of Triptych 1944
- three studies of isabel rawsthorne, on single canvas, 1967
topics
keywords
tone
- Painting
- Henrietta Moraes 1
- Study for Human Body
- study for portrait of henrietta moraes on a red ground, 1964
- triptych, may - june, 1973 b
- Landscape,
- Dog i,
- Self-Portrait 5
- Dog II, Moma NY
- study from the human body, 1987
- head i, 1949
- three studies for a portrait, 1968 a
- Second Version of Triptych 1944
- three studies of isabel rawsthorne, on single canvas, 1967
main color
- Dog i,
- Study for Human Body
- three studies of isabel rawsthorne, on single canvas, 1967
- La gran mesa
- Study for Portrait of Isabel Rawsthorne 2
- Study of a Dog
- Telephone in a Dish With Three Grilled Sardines at the End of September, 1939
- Dog II, Moma NY
- figures in a street, 1983
- Dog 3
- Painting
- Blood on the Floor,
- self portrait, 1976
- Second Version of Triptych 1944
- triptych, may - june, 1973 b
- Landscape,
- Henrietta Moraes 1
- Sleep (also known as Woman in Bed)
- head i, 1949
- Self-Portrait 5
- study from the human body, 1987