period
- Three Studies of Muriel Belcher
- Study for Self-Portrait, left
- Study for Portrait of Isabel Rawsthorne 2
- Three Studies for Figures at the Base of a Crucifixion
- study for head of lucian freud, 1967
- three studies of henrietta moraes ii, 1969 c
- second version of triptych 1
- Dog II, Moma NY
- self portrait, 1976
- study from the human body, 1987
- Miss Diana Watson
- three studies of isabel rawsthorne, on single canvas, 1967
vibe
- Three Studies of Muriel Belcher
- Study for Self-Portrait, left
- Study for Portrait of Isabel Rawsthorne 2
- Three Studies for Figures at the Base of a Crucifixion
- study for head of lucian freud, 1967
- three studies of henrietta moraes ii, 1969 c
- second version of triptych 1
- Dog II, Moma NY
- self portrait, 1976
- study from the human body, 1987
- Miss Diana Watson
- Red Jazz
- Second Version of Triptych 1944
- three studies of isabel rawsthorne, on single canvas, 1967
topics
keywords
tone
main color
- Red Jazz
- Try Again
- Dog II, Moma NY
- Museum Incident
- second version of triptych 1
- Joselito
- Autumn
- Second Version of Triptych 1944
- Narrative theory
- Water Surface No. 5
- Study for Portrait of Isabel Rawsthorne 2
- three studies of isabel rawsthorne, on single canvas, 1967
- three studies of henrietta moraes ii, 1969 c
- Three Studies for Figures at the Base of a Crucifixion
- Head
- self portrait, 1976
- Three Studies of Muriel Belcher
- The Last Supper, Marlene Dumas, c. 1985 - c. 1991