period
- Study for Self-Portrait, left
- Painting
- Dalí partial hallucination - six apparitions of lenin on a gr
- Study for Portrait of Isabel Rawsthorne 2
- Study for Landscape After Van Gogh
- La perspectiva amorosa 1
- Dog II, Moma NY
- head i, 1949
- Miss Diana Watson
- portrait of george dyer talking, 1966
- three studies of isabel rawsthorne, on single canvas, 1967
movement
vibe
- Study for Self-Portrait, left
- Painting
- Dalí partial hallucination - six apparitions of lenin on a gr
- portrait of a dwarf, 1975 c
- Study for Portrait of Isabel Rawsthorne 2
- Study for Landscape After Van Gogh
- triptych, may - june, 1973 b
- female nude standing in a doorway 1972
- four studies for a self-portrait, 1967
- figures in a street, 1983
- Dog II, Moma NY
- head i, 1949
- Miss Diana Watson
- portrait of george dyer talking, 1966
- Second Version of Triptych 1944
- Design for the set of the film 'Spellbound'
- three studies of isabel rawsthorne, on single canvas, 1967
topics
keywords
tone
- Study for Self-Portrait, left
- Painting
- portrait of a dwarf, 1975 c
- Study for Landscape After Van Gogh
- triptych, may - june, 1973 b
- female nude standing in a doorway 1972
- four studies for a self-portrait, 1967
- La perspectiva amorosa 1
- Dog II, Moma NY
- head i, 1949
- Miss Diana Watson
- portrait of george dyer talking, 1966
- Second Version of Triptych 1944
- three studies of isabel rawsthorne, on single canvas, 1967
main color
- head i, 1949
- Untitled (817)
- Dalí partial hallucination - six apparitions of lenin on a gr
- Study for Landscape After Van Gogh
- Untitled (156)
- triptych, may - june, 1973 b
- Shaded Flame
- Second Version of Triptych 1944
- Dog II, Moma NY
- portrait of a dwarf, 1975 c
- figures in a street, 1983
- four studies for a self-portrait, 1967
- La perspectiva amorosa 1
- three studies of isabel rawsthorne, on single canvas, 1967
- Painting