period

1. Composition, Composition with Red, yellow, blue and black — Piet Mondrian
2. A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
3. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V. 1 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
4. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
5. Black Forms on White — Wassily Wassilyevich Kandinsky
6. Composition with a black circle — Kazimir Malevich, 1916
7. PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan) — Franz Ehrlich, 1962
8. Suprematist Composition: White on White — Kazimir Malevich, 1918

movement

1. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
2. A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
3. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V. 1 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
4. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976

vibe

1. Vertical Composition with Blue and White — Piet Mondrian, 1936
2. Composition, Composition with Red, yellow, blue and black — Piet Mondrian
3. A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
4. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V. 1 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
5. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
6. Composition with a black circle — Kazimir Malevich, 1916
7. Composition 10 — Piet Mondrian
8. PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan) — Franz Ehrlich, 1962

topics

1. Plan for the construction of the Secession, entrance level — Joseph Maria Olbrich, 1897
2. Study in black and white — František Kupka, 1924

keywords

1. A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
2. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
3. PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan) — Franz Ehrlich, 1962

tone

main color

1. PROF. DR. BAUMANN HOUSE EXECUTION (foundation plan) — Franz Ehrlich, 1962
2. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
3. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
4. Composition 10 — Piet Mondrian
5. Architectural Drawing of Hogarth Cloisters, Ealing — arthur heygate mackmurdo, 1892
6. A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
7. BOOK AND DOCUMENT REPOSITORY — Franz Ehrlich, 1976
8. Arrangement in White and Black — James Abbott McNeill Whistler
9. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V. 1 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
10. Floor plan Sleeping room (with interior furnishings) — Franz Ehrlich, 1962
11. A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan) — Franz Ehrlich, 1976
12. 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan) — Franz Ehrlich
13. Suprematist Composition: White on White — Kazimir Malevich, 1918
14. Symphony in White Number 1, The White Girl — James Abbott McNeill Whistler
15. Drawing: Construction of a terrasse, Liebermann Haus — johann otto friedrich julius grisebach, 1895
16. Plan for the construction of the Secession, entrance level — Joseph Maria Olbrich, 1897
17. Black-White-Yellow — Anni Albers, 1926
18. Composition with a black circle — Kazimir Malevich, 1916
19. Composition, Composition with Red, yellow, blue and black — Piet Mondrian
20. Bauhaus Dessau preliminary course 1926/27. Wassily Kandinsky. Dividual (grid) and inividual (black) design of the square — friedrich konrad püschel, 1926
21. Suprematistic composition. White in white. (Feeling of fading away.) — Kazimir Malevich, 1927

other