period

movement

vibe

1. Letter from Frida Kahlo to Alejandro Gómez Arias, January 8, 1925\n\nPage 1 of 2 — Frida Kahlo, 1925

topics

1. untitled (2334) — Frida Kahlo
2. Autorretrato dedicado al Dr. Eloesser y a sus hijas — Frida Kahlo
3. Self Portrait Dedicated to Sigmund Firestone — Frida Kahlo, 1940
4. Tram ticket that belonged to Frida Kahlo — Frida Kahlo, 1925
5. Frida Kahlo - `The Two Fridas` — Frida Kahlo

keywords

tone

1. Tram ticket that belonged to Frida Kahlo — Frida Kahlo, 1925
2. My Dress Hangs There — Frida Kahlo, 1933
3. Autorretrato dedicado al Dr. Eloesser y a sus hijas — Frida Kahlo
4. Self Portrait Dedicated to Sigmund Firestone — Frida Kahlo, 1940
5. untitled (2334) — Frida Kahlo
6. Retrato de Doña Rosita Morillo — Frida Kahlo

main color

1. Tram ticket that belonged to Frida Kahlo — Frida Kahlo, 1925
2. Self-portrait — Félix Vallotton, 1925
3. untitled (2334) — Frida Kahlo
4. Retrato de Doña Rosita Morillo — Frida Kahlo
5. untitled (2441) — Frida Kahlo
6. Autorretrato dedicado al Dr. Eloesser y a sus hijas — Frida Kahlo
7. Letter from Frida Kahlo to Alejandro Gómez Arias, August 21, 1926 — Frida Kahlo, 1926
8. Self-Portrait 5 — Frida Kahlo
9. Letter from Frida Kahlo to Alejandro Gómez Arias, September 14, 1924 — Frida Kahlo, 1924
10. Letter from Frida Kahlo to Alejandro Gómez Arias, January 8, 1925\n\nPage 1 of 2 — Frida Kahlo, 1925
11. Frida Kahlo - `The Two Fridas` — Frida Kahlo
12. Portrait of My Father — Frida Kahlo, 1951
13. Retrato de Enrique del Campo — Alfredo Valenzuela Puelma, 1894
14. untitled (9258) — Frida Kahlo
15. Retrato de M. del Campo — Alfredo Valenzuela Puelma, 1897
16. Self portrait — pieter florentius nicolaas jacobus arntzenius

other

1. William Walton — James Carroll Beckwith, 1886
2. Portrait of Leon-Paul Fargue — henri julien félix rousseau (le douanier), 1896
3. Carlos Martínez Silva — eugenio montoya, 1891
4. Diego and Frida — Frida Kahlo, 1944
5. The Businessman Max Roesberg, Dresden — Otto Dix
6. Retrato de Enrique del Campo , detalle — Alfredo Valenzuela Puelma, 1894