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period

  1. Self Portrait, Admonishing — George Grosz, 1927
  2. The Agitator — George Grosz, 1928
  3. The Burial — George Grosz, 1918
  4. Explosion — George Grosz, 1917
  5. Daum marries her pedantic automaton''George'' — George Grosz
  6. Artist and Model — George Grosz, 1928

movement

  1. Untitled (878) — Paul Jenkins
  2. Figures on Dark Ground — Albert Bloch, 1916

vibe

  1. Self Portrait, Admonishing — George Grosz, 1927
  2. George Fothergill of York (1689–1770) — George Stubbs, 1746
  3. The Agitator — George Grosz, 1928
  4. The Burial — George Grosz, 1918
  5. Explosion — George Grosz, 1917
  6. The Fall of the Damned — Peter Paul Rubens, 1620
  7. John the Murderer — George Grosz, 1918
  8. Ausschweifung, Berlin Night Club — George Grosz
  9. Pourquoi nous combattons, What we are fighting for, Huile sur Toile, — Oskar Kokoschka
  10. Glad to Be Back — George Grosz, 1943
  11. Artist and Model — George Grosz, 1928

topics

keywords

tone

  1. The Agitator — George Grosz, 1928
  2. The Fall of the Damned — Peter Paul Rubens, 1620
  3. Pourquoi nous combattons, What we are fighting for, Huile sur Toile, — Oskar Kokoschka

main color

  1. View of toledo emblematic — André Masson
  2. Pourquoi nous combattons, What we are fighting for, Huile sur Toile, — Oskar Kokoschka
  3. Untitled (878) — Paul Jenkins
  4. George Berkeley — john smibert, 1726
  5. Dybbuks Menacing Holy Objects — peter neal
  6. Daum marries her pedantic automaton''George'' — George Grosz
  7. Explosion — George Grosz, 1917
  8. Fulle Bux — Jonathan Meese
  9. Untitled (228) — Avigdor Arikha
  10. The Burial — George Grosz, 1918
  11. George Fothergill of York (1689–1770) — George Stubbs, 1746
  12. Emblematic Vista of Toledo — André Masson
  13. Ferragosto V — Cy Twombly, 1961
  14. John the Murderer — George Grosz, 1918
  15. Resistencia — André Masson
  16. The Agitator — George Grosz, 1928
  17. Figures on Dark Ground — Albert Bloch, 1916

other

  1. The Garden — wendy spooner
  2. Portrait of the Writer Max Herrmann Neisse — George Grosz, 1925