period

movement

1. Madonna degli Alberetti — Giovanni Bellini, 1487

vibe

1. Madonna degli Alberetti — Giovanni Bellini, 1487

topics

keywords

1. Presentation at the Temple — Giovanni Bellini, 1460

tone

1. Madonna degli Alberetti — Giovanni Bellini, 1487

main color

1. Farnese prince watches the construction of a building — ilario giacinto mercanti
2. Matrices for printing textiles — Mariano Fortuny, 1920
3. Coriolanus persuaded by his Family to spare Rome — Michele da Verona
4. Still life with Japanese print — Eugène Henri Paul Gauguin, 1888
5. Carrying of the Cross — pieter brueghel the younger's workshop
6. The Crucifixion — Giovanni Bellini, 1503
7. Allegory on worldly and ecclesiastical abuses. — Gillis Mostaert
8. Christ Healing the Blind — Lucas van Leyden, 1531
9. Feast of the Gods — Giovanni Bellini
10. A Flemish Kermis with a Performance of the Farce ‘Een cluyte van Plaeyerwater’, Peeter Baltens, c. 1570 — peeter baltens, 1570
11. Untitled print sleeve with woodblock print — Chiura Obata, 1930
12. The slave market, cairo — William James Müller
13. Portrait of a Humanist — Giovanni Bellini, 1475
14. Return of Jacob with His Family (detail) — jacopo bassano (jacopo da ponte)
15. Madonna degli Alberetti — Giovanni Bellini, 1487
16. Presentation at the Temple — Giovanni Bellini, 1460
17. Christ Presented to the People — Lucas van Leyden
18. The Adoration of the Magi — Domenico Veneziano, 1439
19. Portrait of Doge Giovanni Mocenigo — Gentile Bellini, 1478
20. The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily — dosso dossi (giovanni di niccolò de luteri), 1520
21. The faithful wives of weinsberg — isaac claesz van swanenburg (isaac nicolai van swanenburg)

other

1. Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four dir.... — solomon lewitt, 1971
2. Four Allegories: Prudence and Falsehood — Giovanni Bellini, 1490
3. Popular Print for the Exhibition at the Museum of Modern Art, Bogotá — álvaro barrios, 1977