period

1. Portrait of Elisabeth Bachofen-Echt — Gustav Klimt, 1914

movement

1. Seated Woman with Covered Face (Study for — Gustav Klimt, 1917
2. Frühe Gewandstudie (Studie für — Gustav Klimt, 1885
3. Study for — Gustav Klimt, 1903
4. Standing Woman with Wrap (Study for the portrait — Gustav Klimt, 1904
5. Portrait of Elisabeth Bachofen-Echt — Gustav Klimt, 1914
6. Woman Standing with Hands Clasped (Study for the portrait — Gustav Klimt, 1904
7. Study for Portrait of Eugenia Primavesi — Gustav Klimt
8. Seated figure in frilly dress turned to the left — Gustav Klimt, 1910
9. Study for the portrait of Margarethe Stonborough-Wittgenstein — Gustav Klimt, 1904

vibe

1. Study for Portrait of Adele Bloch-Bauer I — Gustav Klimt, 1903
2. Standing Woman with Wrap (Study for the portrait — Gustav Klimt, 1904
3. Crouching figure from the front, with face hidden. Study for the painting — Gustav Klimt, 1911
4. Woman Standing with Hands Clasped (Study for the portrait — Gustav Klimt, 1904
5. Study for Portrait of Eugenia Primavesi — Gustav Klimt
6. Standing figure in frilly dress — Gustav Klimt, 1910
7. Standing Woman with Left Leg Raised; Figure Repeated (Study for — Gustav Klimt, 1908
8. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569

topics

1. Portrait of Elisabeth Bachofen-Echt — Gustav Klimt, 1914
2. Study for Portrait of Eugenia Primavesi — Gustav Klimt
3. Standing figure in frilly dress — Gustav Klimt, 1910
4. Seated figure in frilly dress turned to the left — Gustav Klimt, 1910
5. Seated Woman with Covered Face (Study for — Gustav Klimt, 1917
6. Study for Portrait of Adele Bloch-Bauer I — Gustav Klimt, 1903
7. Study for the portrait of Margarethe Stonborough-Wittgenstein — Gustav Klimt, 1904

keywords

tone

1. Study for Portrait of Adele Bloch-Bauer I — Gustav Klimt, 1903
2. Standing Woman with Wrap (Study for the portrait — Gustav Klimt, 1904
3. Standing figure in frilly dress — Gustav Klimt, 1910
4. Standing Woman with Left Leg Raised; Figure Repeated (Study for — Gustav Klimt, 1908

main color

1. Study for Portrait of Eugenia Primavesi — Gustav Klimt
2. Study for the portrait of Margarethe Stonborough-Wittgenstein — Gustav Klimt, 1904
3. Studies after the Model — jan andrea lievens jan lievens, 1660
4. Study of the head of a man in profile — Sir George Clausen
5. Woman Standing with Hands Clasped (Study for the portrait — Gustav Klimt, 1904
6. Studies of a Dead Sparrow — vincent willem van gogh, 1885
7. (Four Figure with Doodles) — Marguerite Zorach
8. Tondo (Studie), 1973 — fritz glarner
9. Crouching figure from the front, with face hidden. Study for the painting — Gustav Klimt, 1911
10. Standing Woman with Left Leg Raised; Figure Repeated (Study for — Gustav Klimt, 1908
11. Frühe Gewandstudie (Studie für — Gustav Klimt, 1885
12. Sitting Woman with Chin Propped (Study for the portrait — Gustav Klimt, 1916
13. Seated Woman with Covered Face (Study for — Gustav Klimt, 1917
14. Standing Woman with Wrap (Study for the portrait — Gustav Klimt, 1904
15. Sketch 160 — George Romney
16. Sketch 111 — George Romney
17. Seated figure in frilly dress turned to the left — Gustav Klimt, 1910
18. Cursory sketch of several figures — Nicholas Roerich
19. Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) — Federico Fiori Barocci
20. Standing figure in frilly dress — Gustav Klimt, 1910
21. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) — Federico Fiori Barocci, 1569
22. Study for Portrait of Adele Bloch-Bauer I — Gustav Klimt, 1903
23. Study for — Gustav Klimt, 1903

other