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period

  1. The Resurrection of Lazarus — Henry Ossawa Tanner, 1896
  2. Les Invalides — Henry Ossawa Tanner, 1896
  3. The First Madness Of Ophelia — Dante Gabriel Rossetti
  4. Abraham — Henry Ossawa Tanner, 1905
  5. Pomp'' at the Zoo'' — Henry Ossawa Tanner, 1880
  6. Lion Licking Its Paw — Henry Ossawa Tanner, 1886
  7. The First Madness of Ophelia — Dante Gabriel Rossetti, 1864
  8. Self-Portrait — Henry Ossawa Tanner, 1910
  9. Country Road in France — Henry Ossawa Tanner

movement

  1. Les Invalides — Henry Ossawa Tanner, 1896
  2. Still Life with Apples — Henry Ossawa Tanner, 1899
  3. Country Road in France — Henry Ossawa Tanner

vibe

  1. Abraham — Henry Ossawa Tanner, 1905
  2. Street Scene, Tangiers — Henry Ossawa Tanner, 1912
  3. Country Road in France — Henry Ossawa Tanner

topics

keywords

tone

  1. Christ and His Desciples on the Road to Bethany — Henry Ossawa Tanner, 1902
  2. Flight into Egypt — Henry Ossawa Tanner, 1899

main color

  1. Departure of Tobie — Henri Le Sidaner, 1915
  2. The Pardoner's Tale — Thomas Stothard
  3. Country Road in France — Henry Ossawa Tanner
  4. Sir Patrick Spens — Elizabeth Siddal, 1856
  5. The First Madness Of Ophelia — Dante Gabriel Rossetti
  6. Pomp'' at the Zoo'' — Henry Ossawa Tanner, 1880
  7. Christ Appearing to Mary — Albert Pinkham Ryder, 1885
  8. Jacob Wrestling with the Angel — Odilon Redon, 1905
  9. Les Invalides — Henry Ossawa Tanner, 1896
  10. Abraham — Henry Ossawa Tanner, 1905
  11. The Tribal Meeting — Joseph Henry Sharp
  12. Mary — Henry Ossawa Tanner, 1914
  13. Initiation to Study — Odilon Redon, 1905
  14. Flight into Egypt — Henry Ossawa Tanner, 1899
  15. The First Madness of Ophelia — Dante Gabriel Rossetti, 1864
  16. Lion Licking Its Paw — Henry Ossawa Tanner, 1886
  17. The Lost Sheep — Henry Ossawa Tanner, 1930
  18. The Resurrection of Lazarus — Henry Ossawa Tanner, 1896
  19. Still Life with Apples — Henry Ossawa Tanner, 1899

other

  1. Virgin and Child — Henry Ossawa Tanner, 1922
  2. Three Women on the Banks of a River — Émile Bernard, 1895